The Olympus OM-D E-M5 Mark II is a powerful 4/3 mirrorless camera. It has 16-megapixels but is also capable of shooting in a 40-megapixel (64 in RAW), high-resolution shooting mode. The E-M5 Mark II also has WiFi to make sharing photos with your dive buddies even easier. This camera is a great option for photographers who travel often and want a camera that won’t break the bank. 
Collecting footage is one of the strongest and most effective ways to educate others on marine life. The underwater images and videos you capture will give the world a more informed and clear perspective of underwater life. Although we reside on land, we should make an effort to understand all surrounding life, and our hope is that our products will inspire people to explore and reveal the beauty and mystery that exists beneath us.

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So what makes a good underwater camera? In addition to image and video quality, there are several other important factors to consider, like the overall quality of the camera's optics, including zoom range and maximum aperture. The latter is crucial for low-light photography, as larger aperture typically results in better photos since it allows more light in. It also minimizes motion blur, making larger apertures perfect for action shots. (Note: The smaller the number, the larger the aperture.)
The Olympus TG series has a sterling reputation among the tough camera market, not only for being sufficiently specced to handle tough conditions, but also equipped with impressive imaging and video tech. The Raw-shooting, 4K-capable TG-6, is a fairly minor upgrade on the previous TG-5, but adds some nifty new features like improved LCD resolution and a new Underwater Microscope mode for getting in close. Producing 4K video at 30fps and offering the option to shoot Full HD video at 120fps for super-slow-motion, the TG-6 also has a generous 25-100mm optical zoom lens that lets you get closer and closer to the action. It's got a chunky handgrip providing a secure hold on the camera, while the internal zoom mechanism means the lens never protrudes from the body, protecting it from knocks and bumps. Straightforward but sophisticated, the TG-6 is quite simply the best waterproof camera around right now.
You may already own a waterproof camera. The latest top-end iPhones and Android phones are IP rated for submersion for short amounts of time. And the rise of quality smartphones has gone a long way in reducing the number of dedicated point-and-shoots on the market. But even if you're just taking a quick dip and want to snap a selfie, there are reasons not to take your expensive phone into the water.
The Canon G7X III is a tiny camera with a large 1-inch, 20 MP sensor, a direct competitor to the Sony RX100 series cameras. It is an excellent, fast-focusing camera with great image quality and has dedicated macro focus. The camera also boasts 4K video, slow motion video, a bigger image buffer, a new stacked sensor, a better image processor, and quicker burst shooting over the G7X II. 

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Lead camera analyst for the PCMag consumer electronics reviews team, Jim Fisher is a graduate of the Rensselaer Polytechnic Institute, where he concentrated on documentary video production. Jim's interest in photography really took off when he borrowed his father's Hasselblad 500C and light meter in 2007. He honed his writing skills at retailer B&H... See Full Bio
Another particularly exciting camera that we are anxiously awaiting, and which should be released anytime time now, is the Sony a7S III. Due to the success of the Sony a7s II we think the a7S III will be an even more exciting release. When Panasonic announced 6K capability in the S1H, there has been some speculation that Sony may try to match this capability with the a7S III, but it’s impossible to know.
Prior to 1923, costly 35mm film stock was the standard for movie cameras. However, when Eastman Kodak released 16mm film stock, this lower-cost alternative sparked a new market fueled by amateur movie makers. While dismissed at release as inferior, 16mm film remained in production until the late 2000s, when digital movie cameras rose to prominence.
The highlight of the RX100 VI over the RX100 VA is its unprecedented macro capability. The zoom on the 24-200 mm f/2.8-4.5 zoom lens cannot be beaten by other compact underwater setups. Details captured with this lens are remarkable. When combined with a wet macro lens (diopter), the realm of super macro photography is attainable. The tiniest details of the smallest subjects can be captured with this set up (once you get a little practice in of course).

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The A7 III, with its compact and ergonomic design, has been a very popular camera for video recording. The battery life is drastically improved compared to the previous A7 Series cameras, which was a primary complaint of Sony Alpha users and is particularly beneficial for underwater video, as it allows you to shoot for much longer without the need to open the housing. The A7 III also has dual SD card slots, which play an additional role in the maximum allotted time you can record underwater without having to open the housing. The auto-focus during video works very well.

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Prior to 1923, costly 35mm film stock was the standard for movie cameras. However, when Eastman Kodak released 16mm film stock, this lower-cost alternative sparked a new market fueled by amateur movie makers. While dismissed at release as inferior, 16mm film remained in production until the late 2000s, when digital movie cameras rose to prominence.

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Panasonic is well established brand in the video realm and their reputation definitely precedes this product. They included a fast working DFD feature that calculated the focus distance to help prevent your video from being blurry or out of focus. If you want a simple, compact camera that will render high-quality underwater video, the Panasonic Lumix LX10 is a great camera for you.
The SeaLife DC2000 is the best underwater camera from a company you've probably never heard of. It doesn't look that much different from the TG-5—it's about the same size, and the style and controls are similar too. But inside is a sensor that's four times the size, and a lens that's a little brighter. It's not necessarily a crowd-pleaser—the lack of zoom power and generally slow operation make it a niche camera. But serious divers will find it a good option, as it can go as deep as 200 feet using the included case, and is good to sixty feet without it.
GoPro's all-new HERO8 Black is the best waterproof camera for capturing video. It's capable of recording great-quality, 4K content at up to a brisk 60 frames per second. Most importantly, in line with GoPro's action-sports credentials, the HERO8 videos feature superb image-stabilization tech. Rather impressively, the latter is even better than the one used in the device's already fantastic predecessor.

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