The Sony A7S II has been a go-to mirrorless camera for underwater video since its release in September of 2015. For the Sony loyalists looking for top-of-the-line image quality in a small and compact form, the A7S II is for you. It embodies a 12.2MP full frame CMOS sensor and can shoot true cinema 4K video at 24fps, as well as UHD 4K at 30fps and smooth slow-motion video at HD 1080p video up to 120fps. Paired with an impressive 5-axis in-camera image stabilization you can get ultra-sharp, steady footage even when shooting hand-held.

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The Panasonic Lumix GH5s has been the go-to mirrorless camera for video use over the last two years and even with the advent of newer full frame mirrorless cameras (as listed above) the GH5s still holds its own as a professional video system. There are various underwater housings available for the GH5s and with Nauticam’s newest version of the NA-GH5 you have the option of including an M28 bulkhead for use with HDMI 2.0 and the Atomos Ninja V recorder.
Belonging to a previous generation of GoPro, the HERO5 Black is still a hugely impressive camera, one that can now be picked up for a reduced price with the advent of the HERO7. Like that model it shoots 4K video, albeit at a lower frame rate than the HERO6 or HERO7, and still has the useful 2in touchscreen on its rear. Full HD video can be shot at 120fps for super-slow-motion output, and it’s possible to shoot stills in Raw format, which gives you greater flexibility to tweak them in post-production. This was also the point at which GoPro HERO cameras received dual microphones, improving audio capture. If the HERO7 Black is too dear for you, this waterproof digital camera should more than satisfy your needs.
The GoPro Hero 6 is the most advanced GoPro action cam on the market today. It’s a great option for shooting video. It features SuperView™, a exclusive video mode that captures the world’s most immersive wide-angle perspective. It allows you to capture more of your surroundings in the shot compared to the earlier Hero models. It’s not uncommon to see a pro $20,000 underwater rig with one of these tiny cameras mounted on it to record high quality video while the photographer shoots stills.
The Canon G7X III is a tiny camera with a large 1-inch, 20 MP sensor, a direct competitor to the Sony RX100 series cameras. It is an excellent, fast-focusing camera with great image quality and has dedicated macro focus. The camera also boasts 4K video, slow motion video, a bigger image buffer, a new stacked sensor, a better image processor, and quicker burst shooting over the G7X II.

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There are three things that make the RX100 series one of the best underwater camera. First, their 1-inch sensor size is larger than most other compact cameras besids the G7X II, giving better image quality and better low-light performance due to a larger pixel size. Second, the auto-focus speed is faster than traditional compact cameras. Last, but not least, is its advanced video features, including 4K video.

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The highlight of the RX100 VI over the RX100 VA is its unprecedented macro capability. The zoom on the 24-200 mm f/2.8-4.5 zoom lens cannot be beaten by other compact underwater setups. Details captured with this lens are remarkable. When combined with a wet macro lens (diopter), the realm of super macro photography is attainable. The tiniest details of the smallest subjects can be captured with this set up (once you get a little practice in of course).

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The W100 isn't a camera you reach for if you want professional results. But it's a good one to get if you don't want to spend a lot of money. It manages smartphone-quality results in bright light, is able to survive modest drops, and is waterproof to 33 feet. It's also priced around $160, which puts it in the low-cost category. We recommend it as one of our top picks for kids learning about photography as well.
Then there's resolution and video quality. You'll want a camera that can record in 4K for sure. The top-end models from DJI and GoPro offer 60fps 4K with digital stabilization that's absolutely incredible. They're also not limited to ultra-wide views; you can set a narrower angle to remove lens distortion, making them solid choices for vlogging and travel logs.
Prior to 1923, costly 35mm film stock was the standard for movie cameras. However, when Eastman Kodak released 16mm film stock, this lower-cost alternative sparked a new market fueled by amateur movie makers. While dismissed at release as inferior, 16mm film remained in production until the late 2000s, when digital movie cameras rose to prominence.
Panasonic is the latest manufacturer to release their line of mirrorless full frame cameras. They released the Panasonic S-series in March of 2019 and swept the photo world of its feet with these impressive new mirrorless cameras. The Panasonic S1 is the S-series camera designed for video, as it incorporates fewer, larger pixels that yield impressive low-light capabilities. The Panasonic S1 incorporates a 24MP, full frame sensor with a new Leica-L lens mount. The S-series cameras bested all other full-frame mirrorless lines in many categories. The Panasonic S1 (and S1R) is the first full frame mirrorless camera to shoot 4K at 60fps -- a feature that full frame mirrorless shooters have been waiting for for years. Not only that but with the latest firmware update, the Panasonic S1 can record 4:2:2 10-bit footage internally, making it an absolute workhorse for color science and post-processing workflow.

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