GoPro's all-new HERO8 Black is the best waterproof camera for capturing video. It's capable of recording great-quality, 4K content at up to a brisk 60 frames per second. Most importantly, in line with GoPro's action-sports credentials, the HERO8 videos feature superb image-stabilization tech. Rather impressively, the latter is even better than the one used in the device's already fantastic predecessor.

You may already own a waterproof camera. The latest top-end iPhones and Android phones are IP rated for submersion for short amounts of time. And the rise of quality smartphones has gone a long way in reducing the number of dedicated point-and-shoots on the market. But even if you're just taking a quick dip and want to snap a selfie, there are reasons not to take your expensive phone into the water.
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The Sony A7S II has been a go-to mirrorless camera for underwater video since its release in September of 2015. For the Sony loyalists looking for top-of-the-line image quality in a small and compact form, the A7S II is for you. It embodies a 12.2MP full frame CMOS sensor and can shoot true cinema 4K video at 24fps, as well as UHD 4K at 30fps and smooth slow-motion video at HD 1080p video up to 120fps. Paired with an impressive 5-axis in-camera image stabilization you can get ultra-sharp, steady footage even when shooting hand-held.

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The W100 isn't a camera you reach for if you want professional results. But it's a good one to get if you don't want to spend a lot of money. It manages smartphone-quality results in bright light, is able to survive modest drops, and is waterproof to 33 feet. It's also priced around $160, which puts it in the low-cost category. We recommend it as one of our top picks for kids learning about photography as well.

underwater video camera reviews


The next most immediate specification to consider would be the frame rate that your video camera allows you to record in. Top-of-the-line video cameras record at 4K resolution and 60 frames per second (fps), giving your footage that smooth, slow-motion cinema look that everybody loves. This is a highly sought-after capability and only a select few cameras on the market (excluding high-end cinema systems) provide this feature.

The rest of the camera's highlights include Wi-Fi for smartphone connectivity (via an app), GPS, a built-in eCompass, and a temperature sensor. You can embed data from the sensors in your images when you edit them, thanks to a dedicated app by Olympus. And the 3-inch LCD display means navigating through all the camera's features is easy. The screen is considerably sharper than one found in the device's predecessor.


The A7 III, with its compact and ergonomic design, has been a very popular camera for video recording. The battery life is drastically improved compared to the previous A7 Series cameras, which was a primary complaint of Sony Alpha users and is particularly beneficial for underwater video, as it allows you to shoot for much longer without the need to open the housing. The A7 III also has dual SD card slots, which play an additional role in the maximum allotted time you can record underwater without having to open the housing. The auto-focus during video works very well. 

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When coupled with the Atomos Ninja V, the Nikon Z6 will output RAW video over HDMI -- similar to what the Blackmagic Pocket Cinema Camera 4K can do internally. RAW video capture, similar to RAW photos, preserves more data than compressed formats and allows you to record more color and capture more detail in the shadows and highlights. This firmware update makes the Nikon Z6 with the Atomos Ninja v recorder one of the most competitive video kits on the market, competing with high end cinema cameras costing tens of thousands of dollars.
You can get great wide-angle photos with the RX100 VA/VI and the UWL-09 super-wide lens,the Kraken KRL-01, or the Nauticam WWL wet wide-angle lens.  For macro with the RX100 VA/VI cameras, we recommend using the Bluewater +7 if you are just getting the hang of macro and super macro photography. The Nauticam Compact Macro Converters (CMC-1 & CMC-2) are top of the line wet lenses with amazing lens sharpness but have a lot of magnification and can be a little more difficult to use.
The Sony a7II is the only full-frame mirrorless camera to offer in-body image stabilization systems and its performance is excellent. The body is comfortable to shoot with and offers a broad set of features that should appeal to both still and video shooters. The Sony a7 II has a 24.3MP resolution, great Full HD video capabilities and fast auto focus.

The A7 III, with its compact and ergonomic design, has been a very popular camera for video recording. The battery life is drastically improved compared to the previous A7 Series cameras, which was a primary complaint of Sony Alpha users and is particularly beneficial for underwater video, as it allows you to shoot for much longer without the need to open the housing. The A7 III also has dual SD card slots, which play an additional role in the maximum allotted time you can record underwater without having to open the housing. The auto-focus during video works very well.

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Action cameras have replaced traditional point-and-shoots and camcorders for many types of underwater and outdoor work. Their small, go-anywhere designs and ultra-wide lenses make them ideal for mounting—whether it be to a surfboard or dive helmet—and they are built tough. While many of these cameras still require an external case to be waterproof, the GoPro Hero8 Black can go down to 33 feet without one, and offers class-leading video stabilization, making it our top pick.

The Canon 1DX Mark II has been a staple DSLR camera for professional video since its release in early 2016. It comes equipped with a 20MP, 35mm Full Frame Canon CMOS sensor and records 4K video at 60fps or Full HD video at 120fps. Very few full-frame cameras can record video at these high frame rates and a high bit-rate, which can then be slowed down for slow-motion video.
Another highly sought-after, and relatively exclusive, feature within the video camera realm is the ability to record in RAW or ProRes. These are uncompressed formats that maximize the information gathered by the sensor and provide you with extended flexibility when it comes to color grading and post-processing. As mentioned, this feature is quite an exclusive one and only available in a select few cameras on the market with good processors (again, excluding high-end cinema systems). Some select cameras can record in ProRes Raw with an Atomos Ninja V external recorder. Nauticam offers a housing for the Ninja V for use with your underwater system.

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The highlight of the RX100 VI over the RX100 VA is its unprecedented macro capability. The zoom on the 24-200 mm f/2.8-4.5 zoom lens cannot be beaten by other compact underwater setups. Details captured with this lens are remarkable. When combined with a wet macro lens (diopter), the realm of super macro photography is attainable. The tiniest details of the smallest subjects can be captured with this set up (once you get a little practice in of course).

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GoPro's all-new HERO8 Black is the best waterproof camera for capturing video. It's capable of recording great-quality, 4K content at up to a brisk 60 frames per second. Most importantly, in line with GoPro's action-sports credentials, the HERO8 videos feature superb image-stabilization tech. Rather impressively, the latter is even better than the one used in the device's already fantastic predecessor.


The GH5s is popular for underwater video because the camera is at a great price point, the body is relatively small, there is a multitude of micro-four thirds lenses available for any lens requirements, the video bitrate is quite high, and camera supports many video features that other micro-four thirds cameras do not support. It crushes all other micro-four thirds cameras at high ISOs with respect to noise.
The GoPro Hero 6 is the most advanced GoPro action cam on the market today. It’s a great option for shooting video. It features SuperView™, a exclusive video mode that captures the world’s most immersive wide-angle perspective. It allows you to capture more of your surroundings in the shot compared to the earlier Hero models. It’s not uncommon to see a pro $20,000 underwater rig with one of these tiny cameras mounted on it to record high quality video while the photographer shoots stills.

This is the Swiss army knife of tough cameras, equipped with ring lights around its lens that function as a torch as well as a macro light, allowing you to see what you're doing underwater as well as keep your subjects illuminated. While it's not a big update over the previous WG-50, it's got a fair few nifty features that make it worth consideration. The microscope mode lets it focus at distances as close as 1mm, while the Handheld Night Snap captures several images of a low-light scene in quick succession and blends them together to create a blur-free composite image. This is all housed in a body with serious protections, able to stay submerged in 14m of water for up to 2 hours. 
This wiki has been updated 16 times since it was first published in January of 2017. With such an abundance of tools and accessories available, it’s easy to go overboard when accumulating fishing gear. The underwater camera, however, is one device you probably won’t regret adding to your arsenal. Just think about it this way: What could possibly help you more than the ability to see live footage of your targets? You can even take pictures of the ones that get away. When users buy our independently chosen editorial picks, we may earn commissions to help fund the Wiki. Skip to the best underwater fishing camera on Amazon.
Compared to the Olympus Tough TG-6, the Nikon COOLPIX can capture higher resolution images with more versatile zoom range. But the TG-6 has a brighter lens (f/2.0 versus f/2.8 in the Nikon), as well as the ability to shoot photos with higher ISO, so it's better in low-light photography. The Olympus also has higher burst-capture capabilities than the Nikon (20 versus 7 frames per second).
Canon is consistently a leading manufacturer of cameras and lenses in the video realm and the 1DX MkII is their flagship camera. The color science that is characteristic of Canon systems is highly sought-after and the sharpness of their lenses is not to be understated. If you are looking for a top-of-the-line DSLR that functions not only as an amazing stills camera but also as a professional-grade video camera, the Canon 1DX MkII is for you. The downside, is that the underwater housings are somewhat larger than the other housings listed in this guide. 

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The latest flagship GoPro model is our favorite action camera available right now. A key difference from its predecessor (and especially the less expensive Hero7 Black) is that there are fold-out feet, giving you the advantage that the camera mount is now built in. Furthermore, you can accessorise the Hero8 Black with a new series of bespoke optional extras called Mods – we particularly like the Display Mod, which adds a second monitor that is perfect for vloggers, but there are plenty of others, including a Media Mod for improving the production value of your videos, and a Light Mod LED light too. These add-ons cost you more – but if you are looking for the very best action camera, and the best GoPro for image quality and features, then the Hero8 Black is it.

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