Another highly sought-after, and relatively exclusive, feature within the video camera realm is the ability to record in RAW or ProRes. These are uncompressed formats that maximize the information gathered by the sensor and provide you with extended flexibility when it comes to color grading and post-processing. As mentioned, this feature is quite an exclusive one and only available in a select few cameras on the market with good processors (again, excluding high-end cinema systems). Some select cameras can record in ProRes Raw with an Atomos Ninja V external recorder. Nauticam offers a housing for the Ninja V for use with your underwater system.
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The feature-set and price point of the DJI Osmo Action make it pretty obvious from the get-go that it's an attempt to undercut the GoPro HERO7. Does it succeed? Like all things, it's complicated. The front-facing screen is a boon, the stabilisation is just as silky smooth as the HERO's, and it's wallet-friendly price is nothing to sniff at. That's not to say it's perfect; there are a few lag issues at high resolutions, the app can be unreliable, and video from the HERO is a touch flatter, which counts in professional realm when it comes to the grade. For an affordable alternative to the HERO7 Black though, the Osmo Action is a fantastic choice.
Which underwater camera is best?
If the DC2000 is SeaLife's serious camera, the Micro 2.0 WiFi is its fun one. With a fish-eye lens, a 200-foot depth rating, and big buttons that are easy to press, even when wearing gloves, it's a point-and-shoot for deep sea exploration. Add-on lights are available, also rated for extreme depths, to shed some light on subjects obscured by murky waters.
Fortunately, we are now blessed with several cameras and great underwater housings that meet these criteria for the "best underwater camera". Whether you are looking for the best underwater camera for scuba diving or snorkeling, we are sure you will find it here. I'd also like to point out, that we define a compact camera as a camera with a fixed lens.
Before you start digging into the reviews, a few notes on choosing a cam that's right for you. You'll definitely want to consider frame rate, expressed as frames per second (fps). Some action cameras offer up to 240fps recording, while others only go to 30fps. For standard playback, 30fps is perfectly fine. It's when you want to slow footage down in editing to create dramatic scenes that frame rate matters. Footage captured at 240fps can be slowed down and played back smoothly at one-quarter speed. You may also want to go for a cinematic look, in which case you'll want one that has a 24fps capture option, the same speed used by most Hollywood productions.