Housings are a topic that deserves a detailed post of their own and you’ll see one here on The Adventure Junkies in the future. But, until then let me briefly talk about choosing an underwater housing. Also, you can read Basics of Underwater Photography: Choosing Cameras & Housings which goes into more detail about housings as well as ports, lenses and accessories.
The Sony A6500 and A6400 are Sony’s top-of-the-line cropped sensor mirrorless cameras. They feature a 24MP APS-C CMOS sensor and records UHD 4K up to 30fps. The Sony A6500 offers many of the same pro-level features characteristic of Sony’s a7 series cameras, such as 5-axis image stabilization and S-Log picture profiles. The Sony A6400 offers the capability of shooting with hybrid log gamma, and an improved color science from the A6300 and A6500. Thanks to the smaller sensor, however, both cameras come at a much lower price point than the full frame a7 series.
The Sony A6500 and A6400 are Sony’s top-of-the-line cropped sensor mirrorless cameras. They feature a 24MP APS-C CMOS sensor and records UHD 4K up to 30fps. The Sony A6500 offers many of the same pro-level features characteristic of Sony’s a7 series cameras, such as 5-axis image stabilization and S-Log picture profiles. The Sony A6400 offers the capability of shooting with hybrid log gamma, and an improved color science from the A6300 and A6500. Thanks to the smaller sensor, however, both cameras come at a much lower price point than the full frame a7 series.
The BMPCC4K has a built in 5” monitor, which makes viewing and framing your subjects underwater a breeze. The LCD screen on the BMPCC4K is lovely -- it’s sharp, bright and has good contrast. The BMPCC4K has no in camera stabilization, but this can be solved in post-production with the free Davinci Resolve subscription that comes included with the camera. Also, the BMPCC4K only has single-point autofocus, which is challenging when shooting video underwater. The solution to this, which most videographers prefer anyway, is to use manual focus. With the Nauticam BMPCCII Underwater Housing, there are numerous MFT lenses that Nauticam supports manual focus for. To see a list of supported lenses with the Nauticam BMPCCII Underwater Housing, see our Nauticam Port Chart.
Yes, it does cost a few pounds more than your usual disposable camera, but you're getting a waterproof camera, for heaven's sake! Fujifilm says its plastic case is water-resistant to a depth of 10m, so it's likely you're going to be in trouble long before the camera is. The Fujifilm Quicksnap Marine comes loaded with 24 exposures of Fujifilm ISO 800 Superia colour negative film which you should be able to get developed at any regular high street chemist or online photo lab. Control is limited, obviously, in that there isn't any. The exposure is fixed at 1/125sec at f/10 so really you're going to need good outdoor light to get decent results, but that's true of any single-use camera.
There have been many improvements in the compact camera lines over the past few years. Larger sensors, faster focusing, and more controls have all led to a selection of cameras that work smoothly, keep size tiny and are functional with a variety of lenses and accessories to round out your underwater photography experience. Sony and Canon have both given their compact cameras one inch sensors, and greatly improved focus speeds over the cameras of a few years ago. Olympus continued to add features to their cameras while keeping both price and size down.
The Olympus OM-D E-M5 Mark II is a powerful 4/3 mirrorless camera. It has 16-megapixels but is also capable of shooting in a 40-megapixel (64 in RAW), high-resolution shooting mode. The E-M5 Mark II also has WiFi to make sharing photos with your dive buddies even easier. This camera is a great option for photographers who travel often and want a camera that won’t break the bank. 

What is the most expensive GoPro?


Our passion and growing interest in marine life is reflected in our desire to offer high definition underwater cameras that will help expose its wonders and educate others. For those who are just as passionate as we are, we understand the importance of finding the best quality underwater equipment at an affordable price. We have a range of customers, from professors and students at universities around the world, to research facilities, to charter boats, to television production companies, to local anglers and divers. Regardless of who you are, you should never compromise on finding the highest quality equipment from a reputable company.
The Nikon Z6 is the Nikon equivalent of the Panasonic S1 -- Nikon’s lower-megapixel version of their Z Series full frame mirrorless cameras. The Nikon Z6 offers a 24MP, full frame sensor with fewer, larger pixels than the Z7 making it a more favorable choice for video due to the low light advantages. One benefit of the Nikon Z7, as compared to the Panasonic S1, is its size. The Z7 is small and compact -- a major reason why people are turning from DSLR cameras to mirrorless cameras. The Nikon Z7 has phenomenal autofocus capabilities with 273-point hybrid phase-detection contrast autofocus technology. It tops out at 4K 30p but can natively output 10-bit 4:2:2 over HDMI in the new N-log color profile, promising greater dynamic range and flexibility in post. Beyond that, with its new firmware, it will become the first hybrid camera to offer RAW video output when coupled with the Ninja V monitor/recorder.

The Canon G7X III is a tiny camera with a large 1-inch, 20 MP sensor, a direct competitor to the Sony RX100 series cameras. It is an excellent, fast-focusing camera with great image quality and has dedicated macro focus. The camera also boasts 4K video, slow motion video, a bigger image buffer, a new stacked sensor, a better image processor, and quicker burst shooting over the G7X II.
The Sony A7S II has been a go-to mirrorless camera for underwater video since its release in September of 2015. For the Sony loyalists looking for top-of-the-line image quality in a small and compact form, the A7S II is for you. It embodies a 12.2MP full frame CMOS sensor and can shoot true cinema 4K video at 24fps, as well as UHD 4K at 30fps and smooth slow-motion video at HD 1080p video up to 120fps. Paired with an impressive 5-axis in-camera image stabilization you can get ultra-sharp, steady footage even when shooting hand-held.
Then there's resolution and video quality. You'll want a camera that can record in 4K for sure. The top-end models from DJI and GoPro offer 60fps 4K with digital stabilization that's absolutely incredible. They're also not limited to ultra-wide views; you can set a narrower angle to remove lens distortion, making them solid choices for vlogging and travel logs.

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