There are some cameras that were made specifically for being used underwater for example the SeaLife DC1400. But, just from reading the mixed bag of customer reviews on Amazon, it’s clear that it’s not the best underwater camera for scuba diving. The buttons stick, the flash doesn’t work, the shutter delay is insanely slow… just a few of the problems you can run into.

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The Sony a7II is the only full-frame mirrorless camera to offer in-body image stabilization systems and its performance is excellent. The body is comfortable to shoot with and offers a broad set of features that should appeal to both still and video shooters. The Sony a7 II has a 24.3MP resolution, great Full HD video capabilities and fast auto focus.
This is the Swiss army knife of tough cameras, equipped with ring lights around its lens that function as a torch as well as a macro light, allowing you to see what you're doing underwater as well as keep your subjects illuminated. While it's not a big update over the previous WG-50, it's got a fair few nifty features that make it worth consideration. The microscope mode lets it focus at distances as close as 1mm, while the Handheld Night Snap captures several images of a low-light scene in quick succession and blends them together to create a blur-free composite image. This is all housed in a body with serious protections, able to stay submerged in 14m of water for up to 2 hours. 
Compared to the Olympus Tough TG-6, the Nikon COOLPIX can capture higher resolution images with more versatile zoom range. But the TG-6 has a brighter lens (f/2.0 versus f/2.8 in the Nikon), as well as the ability to shoot photos with higher ISO, so it's better in low-light photography. The Olympus also has higher burst-capture capabilities than the Nikon (20 versus 7 frames per second).
The A7 III, with its compact and ergonomic design, has been a very popular camera for video recording. The battery life is drastically improved compared to the previous A7 Series cameras, which was a primary complaint of Sony Alpha users and is particularly beneficial for underwater video, as it allows you to shoot for much longer without the need to open the housing. The A7 III also has dual SD card slots, which play an additional role in the maximum allotted time you can record underwater without having to open the housing. The auto-focus during video works very well.

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The Sony A7 series has led the charge in full frame mirrorless cameras and the A7 III and A7R III have been some of the most popular cameras on the market since their release in April 2018. Similar to the Nikon Z6 and the Panasonic S1, the Sony A7 III has fewer, larger pixels compared to the A7R III and therefore, a more favorable for video use due to the resulting low light capabilities. The A7 III tops out at 4K 30p and records internal 4:2:2 8-bit video. You also have the ability to shoot on various picture profiles like HLG & S-Log3 Gammas, which offer less-compressed video capture and facilitate maximum color rendition and dynamic range for post-production flexibility. It also has impressive autofocus capabilities with a 693-point hybrid autofocus system.
Waterproofing is important to consider if you'll be recording footage underwater or even around water. Some waterproof cameras can go deeper than others, and some have built-in waterproofing so that you don't need to think about extra housing. And if you're already invested in a system, like GoPro, which uses a proprietary mount, then sticking with what you've got can help save money on extra accessories.

The next most immediate specification to consider would be the frame rate that your video camera allows you to record in. Top-of-the-line video cameras record at 4K resolution and 60 frames per second (fps), giving your footage that smooth, slow-motion cinema look that everybody loves. This is a highly sought-after capability and only a select few cameras on the market (excluding high-end cinema systems) provide this feature. 

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Despite having a cropped sensor the A6500 and A6400 boat a highly reliable focusing system made up of 425 phase detection points. Not only that but they are two of the lightest and most compact cameras on the list despite having a fairly competitive sensor pixel count. If you are an aspiring or professional video shooter, the Sony A6500 and A6400 prove to be a great option for underwater video.
Housings are a topic that deserves a detailed post of their own and you’ll see one here on The Adventure Junkies in the future. But, until then let me briefly talk about choosing an underwater housing. Also, you can read Basics of Underwater Photography: Choosing Cameras & Housings which goes into more detail about housings as well as ports, lenses and accessories.

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The RX100 VA introduced an increased image buffer, burst shooting up to 24fps, and customizable menus. This is excellent for photographers seeking to capture quick pelagic animals that need good burst speed and more processing power. The RX100 VA still carries all of the advantages of the RX100 V including the 315 point phase detection autofocus system and the 20 MP/1" Exmor RS BSI CMOS sensor. The main advantage of the RX100 VA over the VI is that the RX100 VA is able to shoot with both macro and wide-angle wet lenses on the same dive. This is because the lens is shorter and has less zoom capability than the RX100 VI. You also don't need to purchase additional ports/adapters for dedicated wide angle and macro set ups.

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Now, as mentioned previously, the 4K Video Type is an important factor to consider as well. In order to record 4K 60p, the Panasonic S1 crops the sensor to a APS-C sensor at 4:2:0 8-bit. Although this is not as impressive as the Full Frame 4K 60p recording available with the Canon 1DX MkII, it is still a leap forward in full frame mirrorless technology and a particularly favorable feature.
Housings are a topic that deserves a detailed post of their own and you’ll see one here on The Adventure Junkies in the future. But, until then let me briefly talk about choosing an underwater housing. Also, you can read Basics of Underwater Photography: Choosing Cameras & Housings which goes into more detail about housings as well as ports, lenses and accessories.

We believe that all moments spent exploring marine life are worth capturing. This belief, along with our passion and dedication to marine life, has led us to create our high quality SplashCam underwater cameras and underwater video products. Since 1988, our goal has been to give you the opportunity to document your underwater experiences and gather invaluable HD underwater footage.
Another highly sought-after, and relatively exclusive, feature within the video camera realm is the ability to record in RAW or ProRes. These are uncompressed formats that maximize the information gathered by the sensor and provide you with extended flexibility when it comes to color grading and post-processing. As mentioned, this feature is quite an exclusive one and only available in a select few cameras on the market with good processors (again, excluding high-end cinema systems). Some select cameras can record in ProRes Raw with an Atomos Ninja V external recorder. Nauticam offers a housing for the Ninja V for use with your underwater system.

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