The Sony RX 100 III is one of the most popular options for underwater photographers looking for the balance between image quality, price, size and ease of use. It’s a step up from the RX 100 II. This model has a better video bit-rate and adds an electric viewfinder. The RX 100 focuses faster that most other compact cameras. It’s a great option for pro photos without the weight and bulk of a dSLR camera.
Panasonic is the latest manufacturer to release their line of mirrorless full frame cameras. They released the Panasonic S-series in March of 2019 and swept the photo world of its feet with these impressive new mirrorless cameras. The Panasonic S1 is the S-series camera designed for video, as it incorporates fewer, larger pixels that yield impressive low-light capabilities. The Panasonic S1 incorporates a 24MP, full frame sensor with a new Leica-L lens mount. The S-series cameras bested all other full-frame mirrorless lines in many categories. The Panasonic S1 (and S1R) is the first full frame mirrorless camera to shoot 4K at 60fps -- a feature that full frame mirrorless shooters have been waiting for for years. Not only that but with the latest firmware update, the Panasonic S1 can record 4:2:2 10-bit footage internally, making it an absolute workhorse for color science and post-processing workflow.

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The GH5s is popular for underwater video because the camera is at a great price point, the body is relatively small, there is a multitude of micro-four thirds lenses available for any lens requirements, the video bitrate is quite high, and camera supports many video features that other micro-four thirds cameras do not support. It crushes all other micro-four thirds cameras at high ISOs with respect to noise.

Yes, it does cost a few pounds more than your usual disposable camera, but you're getting a waterproof camera, for heaven's sake! Fujifilm says its plastic case is water-resistant to a depth of 10m, so it's likely you're going to be in trouble long before the camera is. The Fujifilm Quicksnap Marine comes loaded with 24 exposures of Fujifilm ISO 800 Superia colour negative film which you should be able to get developed at any regular high street chemist or online photo lab. Control is limited, obviously, in that there isn't any. The exposure is fixed at 1/125sec at f/10 so really you're going to need good outdoor light to get decent results, but that's true of any single-use camera.


Lead camera analyst for the PCMag consumer electronics reviews team, Jim Fisher is a graduate of the Rensselaer Polytechnic Institute, where he concentrated on documentary video production. Jim's interest in photography really took off when he borrowed his father's Hasselblad 500C and light meter in 2007. He honed his writing skills at retailer B&H... See Full Bio

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The rest of the camera's highlights include Wi-Fi for smartphone connectivity (via an app), GPS, a built-in eCompass, and a temperature sensor. You can embed data from the sensors in your images when you edit them, thanks to a dedicated app by Olympus. And the 3-inch LCD display means navigating through all the camera's features is easy. The screen is considerably sharper than one found in the device's predecessor.
Housings are a topic that deserves a detailed post of their own and you’ll see one here on The Adventure Junkies in the future. But, until then let me briefly talk about choosing an underwater housing. Also, you can read Basics of Underwater Photography: Choosing Cameras & Housings which goes into more detail about housings as well as ports, lenses and accessories.

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The highlight of the RX100 VI over the RX100 VA is its unprecedented macro capability. The zoom on the 24-200 mm f/2.8-4.5 zoom lens cannot be beaten by other compact underwater setups. Details captured with this lens are remarkable. When combined with a wet macro lens (diopter), the realm of super macro photography is attainable. The tiniest details of the smallest subjects can be captured with this set up (once you get a little practice in of course).

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The FT30 isn't the newest waterproof digital camera here, and doesn't quite offer any best-in-class specs, but what it does offer is commensurate with its very reasonable asking price. It’s also pleasingly slim enough to fit in a snug jeans pocket or similar, although this does come at the cost of a secure grip; you might want to invest in a wrist strap to ensure the FT30 doesn’t get away from you. Provided you keep hold of it, the FT30 is a solid and versatile waterproof camera that should prove well-suited to recording your aquatic adventures – in stills form, anyway. The lower video resolution of 720p means that if you’re a video aficionado, you’re probably better off with one of the other waterproof digital cameras on this list. 
The next most immediate specification to consider would be the frame rate that your video camera allows you to record in. Top-of-the-line video cameras record at 4K resolution and 60 frames per second (fps), giving your footage that smooth, slow-motion cinema look that everybody loves. This is a highly sought-after capability and only a select few cameras on the market (excluding high-end cinema systems) provide this feature.
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Waterproofing is important to consider if you'll be recording footage underwater or even around water. Some waterproof cameras can go deeper than others, and some have built-in waterproofing so that you don't need to think about extra housing. And if you're already invested in a system, like GoPro, which uses a proprietary mount, then sticking with what you've got can help save money on extra accessories.
The Sony RX100 VI is our choice for best underwater camera for macro. This camera boasts a 24-200mm lens that can produce incredible magnifcation for even the tiniest subjects. The zoom and optical quality of this new lens has the capability of producing stunning, detailed macro, and super-macro images – especially when paired with a wet lens. The quick autofocus is also a key feature of the camera. 
Fortunately, we are now blessed with several cameras and great underwater housings that meet these criteria for the "best underwater camera". Whether you are looking for the best underwater camera for scuba diving or snorkeling, we are sure you will find it here. I'd also like to point out, that we define a compact camera as a camera with a fixed lens.
The highlight of the RX100 VI over the RX100 VA is its unprecedented macro capability. The zoom on the 24-200 mm f/2.8-4.5 zoom lens cannot be beaten by other compact underwater setups. Details captured with this lens are remarkable. When combined with a wet macro lens (diopter), the realm of super macro photography is attainable. The tiniest details of the smallest subjects can be captured with this set up (once you get a little practice in of course).

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Housings are a topic that deserves a detailed post of their own and you’ll see one here on The Adventure Junkies in the future. But, until then let me briefly talk about choosing an underwater housing. Also, you can read Basics of Underwater Photography: Choosing Cameras & Housings which goes into more detail about housings as well as ports, lenses and accessories.
Canon is consistently a leading manufacturer of cameras and lenses in the video realm and the 1DX MkII is their flagship camera. The color science that is characteristic of Canon systems is highly sought-after and the sharpness of their lenses is not to be understated. If you are looking for a top-of-the-line DSLR that functions not only as an amazing stills camera but also as a professional-grade video camera, the Canon 1DX MkII is for you. The downside, is that the underwater housings are somewhat larger than the other housings listed in this guide.
There are some cameras that were made specifically for being used underwater for example the SeaLife DC1400. But, just from reading the mixed bag of customer reviews on Amazon, it’s clear that it’s not the best underwater camera for scuba diving. The buttons stick, the flash doesn’t work, the shutter delay is insanely slow… just a few of the problems you can run into.

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What makes the “Best Underwater Video Camera”? When shooting underwater video, or video in general, there are many factors to consider. To start, being able to record 4K video is now a luxury that is expected out of any respectable video camera and 4K capture is definitely something you should consider when choosing your underwater video camera. The good news is nearly every new DSLR, mirrorless or compact camera features 4K recording capabilities. Where it becomes complicated is the 4K Video Type, which basically is the way in which a camera records 4K video. There are three types of cameras when it comes to 4K recording. The most ideal camera is one that has a full pixel readout from a 35mm sensor (often shooting the initial video in 6K) that will downsample to 4K, adding additional details to the video. Intermediate 4K quality comes from cameras that use pixel binning to process their 4K video. The worst 4K quality comes from cameras that “crop” the video by using only part of the sensor to capture 4K footage. This produces the worst quality because less sensor area is being used to capture light while filming video. The Canon EOS R was a disappointment for videographers for this reason.
The Canon G7X III is a tiny camera with a large 1-inch, 20 MP sensor, a direct competitor to the Sony RX100 series cameras. It is an excellent, fast-focusing camera with great image quality and has dedicated macro focus. The camera also boasts 4K video, slow motion video, a bigger image buffer, a new stacked sensor, a better image processor, and quicker burst shooting over the G7X II.

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