The Sony A7S II has been a go-to mirrorless camera for underwater video since its release in September of 2015. For the Sony loyalists looking for top-of-the-line image quality in a small and compact form, the A7S II is for you. It embodies a 12.2MP full frame CMOS sensor and can shoot true cinema 4K video at 24fps, as well as UHD 4K at 30fps and smooth slow-motion video at HD 1080p video up to 120fps. Paired with an impressive 5-axis in-camera image stabilization you can get ultra-sharp, steady footage even when shooting hand-held.

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The Canon G7X III is a tiny camera with a large 1-inch, 20 MP sensor, a direct competitor to the Sony RX100 series cameras. It is an excellent, fast-focusing camera with great image quality and has dedicated macro focus. The camera also boasts 4K video, slow motion video, a bigger image buffer, a new stacked sensor, a better image processor, and quicker burst shooting over the G7X II.

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The Sony RX100 VI is our choice for best underwater camera for macro. This camera boasts a 24-200mm lens that can produce incredible magnifcation for even the tiniest subjects. The zoom and optical quality of this new lens has the capability of producing stunning, detailed macro, and super-macro images – especially when paired with a wet lens. The quick autofocus is also a key feature of the camera. 

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The Olympus OM-D E-M5 Mark II is a powerful 4/3 mirrorless camera. It has 16-megapixels but is also capable of shooting in a 40-megapixel (64 in RAW), high-resolution shooting mode. The E-M5 Mark II also has WiFi to make sharing photos with your dive buddies even easier. This camera is a great option for photographers who travel often and want a camera that won’t break the bank. 
The feature-set and price point of the DJI Osmo Action make it pretty obvious from the get-go that it's an attempt to undercut the GoPro HERO7. Does it succeed? Like all things, it's complicated. The front-facing screen is a boon, the stabilisation is just as silky smooth as the HERO's, and it's wallet-friendly price is nothing to sniff at. That's not to say it's perfect; there are a few lag issues at high resolutions, the app can be unreliable, and video from the HERO is a touch flatter, which counts in professional realm when it comes to the grade. For an affordable alternative to the HERO7 Black though, the Osmo Action is a fantastic choice.

Panasonic is well established brand in the video realm and their reputation definitely precedes this product. They included a fast working DFD feature that calculated the focus distance to help prevent your video from being blurry or out of focus. If you want a simple, compact camera that will render high-quality underwater video, the Panasonic Lumix LX10 is a great camera for you.
Our passion and growing interest in marine life is reflected in our desire to offer high definition underwater cameras that will help expose its wonders and educate others. For those who are just as passionate as we are, we understand the importance of finding the best quality underwater equipment at an affordable price. We have a range of customers, from professors and students at universities around the world, to research facilities, to charter boats, to television production companies, to local anglers and divers. Regardless of who you are, you should never compromise on finding the highest quality equipment from a reputable company.

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You'll also want to keep your specific needs in mind. Not all cameras are suitable for every sport, and certain form factors lend themselves better to certain activities. On top of that, different shapes allow for different mounting accessories and possibilities. If you want to catch a unique perspective, like an under-skateboard shot, you'll want to pay close attention to size.
While the GH5 was the first mirrorless camera to record 4K 60p, the GH5s takes it one step further and can record 4k 60p in Cinema 4K (4096 x 2160) -- a version of 4K recording that maximized resolution. The GH5s is also capable of internal 4:2:2 10-bit recording, which delivers even stronger than the color reproduction. It can also shoot HD at 240fps, and you can use a Vlog-L color profile for great dynamic range.
The Sony a7II is the only full-frame mirrorless camera to offer in-body image stabilization systems and its performance is excellent. The body is comfortable to shoot with and offers a broad set of features that should appeal to both still and video shooters. The Sony a7 II has a 24.3MP resolution, great Full HD video capabilities and fast auto focus.

What is the best camera for underwater photography? As you may know from reading the Underwater Photography Guide, it is important to select a compact camera that offers full manual controls, the ability to shoot in RAW, HD video, and the ability to accept wide-angle and macro wet lenses. We need to look at not only the camera features, but the quality of available underwater housings.

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The Canon G7X III is a tiny camera with a large 1-inch, 20 MP sensor, a direct competitor to the Sony RX100 series cameras. It is an excellent, fast-focusing camera with great image quality and has dedicated macro focus. The camera also boasts 4K video, slow motion video, a bigger image buffer, a new stacked sensor, a better image processor, and quicker burst shooting over the G7X II.

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The Sony A7S II has been a go-to mirrorless camera for underwater video since its release in September of 2015. For the Sony loyalists looking for top-of-the-line image quality in a small and compact form, the A7S II is for you. It embodies a 12.2MP full frame CMOS sensor and can shoot true cinema 4K video at 24fps, as well as UHD 4K at 30fps and smooth slow-motion video at HD 1080p video up to 120fps. Paired with an impressive 5-axis in-camera image stabilization you can get ultra-sharp, steady footage even when shooting hand-held.
Now, as mentioned previously, the 4K Video Type is an important factor to consider as well. In order to record 4K 60p, the Panasonic S1 crops the sensor to a APS-C sensor at 4:2:0 8-bit. Although this is not as impressive as the Full Frame 4K 60p recording available with the Canon 1DX MkII, it is still a leap forward in full frame mirrorless technology and a particularly favorable feature.

Prior to 1923, costly 35mm film stock was the standard for movie cameras. However, when Eastman Kodak released 16mm film stock, this lower-cost alternative sparked a new market fueled by amateur movie makers. While dismissed at release as inferior, 16mm film remained in production until the late 2000s, when digital movie cameras rose to prominence.

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Another highly sought-after, and relatively exclusive, feature within the video camera realm is the ability to record in RAW or ProRes. These are uncompressed formats that maximize the information gathered by the sensor and provide you with extended flexibility when it comes to color grading and post-processing. As mentioned, this feature is quite an exclusive one and only available in a select few cameras on the market with good processors (again, excluding high-end cinema systems). Some select cameras can record in ProRes Raw with an Atomos Ninja V external recorder. Nauticam offers a housing for the Ninja V for use with your underwater system.

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Most models have a single lens, with an ultra-wide angle of view, so you can experiment with mounting and get a big view of the world in frame. Some dual-lens cameras, like the recently announced GoPro Max, capture a 360-degree view of the world. VR playback isn't as popular as it was at the peak of the fad, but editing tools make it possible to convert 360-degree footage into a 16:9 playback format in creative ways.
If the DC2000 is SeaLife's serious camera, the Micro 2.0 WiFi is its fun one. With a fish-eye lens, a 200-foot depth rating, and big buttons that are easy to press, even when wearing gloves, it's a point-and-shoot for deep sea exploration. Add-on lights are available, also rated for extreme depths, to shed some light on subjects obscured by murky waters.
The latest flagship GoPro model is our favorite action camera available right now, and it brings some brilliant new features. A key difference from its predecessor (and especially the less expensive Hero7 Black) is that there are fold-out feet, so now you have a camera mount is now built in. That's not all – you can accessorise the Hero8 Black with a new series extras called 'Mods'. We especially like the Display Mod because it adds a second monitor that is perfect for vloggers. There are plenty of other Mods too, including a Media Mod for improving the production value of your videos, and a Light Mod LED light too. These extra capabilities – and the fact it's already waterproof down to 10m without a case – make the Hero8 Black our favorite underwater action cam right now.
The W100 isn't a camera you reach for if you want professional results. But it's a good one to get if you don't want to spend a lot of money. It manages smartphone-quality results in bright light, is able to survive modest drops, and is waterproof to 33 feet. It's also priced around $160, which puts it in the low-cost category. We recommend it as one of our top picks for kids learning about photography as well.
There are three things that make the RX100 series one of the best underwater camera. First, their 1-inch sensor size is larger than most other compact cameras besids the G7X II, giving better image quality and better low-light performance due to a larger pixel size. Second, the auto-focus speed is faster than traditional compact cameras. Last, but not least, is its advanced video features, including 4K video.

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