When combined with a wet macro lens (diopter), super macro photography is within reach. The tiniest details of the smallest subjects can be captured with this set up (once you get a little practice in of course). With the RX100 VI we recommend using the Bluewater +7 if you are just getting the hang of macro and super macro photography. The Nauticam Compact Macro Converters (CMC-1 & CMC-2) are top of the line wet lenses with amazing lens sharpness but have a lot of magnification and can be a little more difficult to use.
Here, we have outlined the best cameras for underwater video in order from best to last-best. Yes -- indeed the last camera mentioned has been classified as ‘last-best’ since if it were not an excellent choice for underwater video, we would not put it on this list! Here we will walk you through some of the key points that make each camera great for underwater video and hopefully make the process of choosing which underwater video camera is best for you, a little bit easier.
The latest flagship GoPro model is our favorite action camera available right now. A key difference from its predecessor (and especially the less expensive Hero7 Black) is that there are fold-out feet, giving you the advantage that the camera mount is now built in. Furthermore, you can accessorise the Hero8 Black with a new series of bespoke optional extras called Mods – we particularly like the Display Mod, which adds a second monitor that is perfect for vloggers, but there are plenty of others, including a Media Mod for improving the production value of your videos, and a Light Mod LED light too. These add-ons cost you more – but if you are looking for the very best action camera, and the best GoPro for image quality and features, then the Hero8 Black is it.
Are GoPro accessories interchangeable?
The Sony RX 100 III is one of the most popular options for underwater photographers looking for the balance between image quality, price, size and ease of use. It’s a step up from the RX 100 II. This model has a better video bit-rate and adds an electric viewfinder. The RX 100 focuses faster that most other compact cameras. It’s a great option for pro photos without the weight and bulk of a dSLR camera.
The Sony RX100 VI is our choice for best underwater camera for macro. This camera boasts a 24-200mm lens that can produce incredible magnifcation for even the tiniest subjects. The zoom and optical quality of this new lens has the capability of producing stunning, detailed macro, and super-macro images – especially when paired with a wet lens. The quick autofocus is also a key feature of the camera.
The Panasonic Lumix LX10 is arguably the best compact, point and shoot camera for underwater video on the market. It uses a whopping 20MP sensor and shoots beautiful 4K video that you could expect from a high-end mirrorless camera. The footage is sharp and detailed due to the high megapixel count for such a compact camera. The f-stop ranges offered by the built in 24-72mm (35mm equivalent) lens allow for beautiful bokeh as well.
The GoPro Hero 6 is the most advanced GoPro action cam on the market today. It’s a great option for shooting video. It features SuperView™, a exclusive video mode that captures the world’s most immersive wide-angle perspective. It allows you to capture more of your surroundings in the shot compared to the earlier Hero models. It’s not uncommon to see a pro $20,000 underwater rig with one of these tiny cameras mounted on it to record high quality video while the photographer shoots stills.
Before you start digging into the reviews, a few notes on choosing a cam that's right for you. You'll definitely want to consider frame rate, expressed as frames per second (fps). Some action cameras offer up to 240fps recording, while others only go to 30fps. For standard playback, 30fps is perfectly fine. It's when you want to slow footage down in editing to create dramatic scenes that frame rate matters. Footage captured at 240fps can be slowed down and played back smoothly at one-quarter speed. You may also want to go for a cinematic look, in which case you'll want one that has a 24fps capture option, the same speed used by most Hollywood productions.
The Sony A6500 and A6400 are Sony’s top-of-the-line cropped sensor mirrorless cameras. They feature a 24MP APS-C CMOS sensor and records UHD 4K up to 30fps. The Sony A6500 offers many of the same pro-level features characteristic of Sony’s a7 series cameras, such as 5-axis image stabilization and S-Log picture profiles. The Sony A6400 offers the capability of shooting with hybrid log gamma, and an improved color science from the A6300 and A6500. Thanks to the smaller sensor, however, both cameras come at a much lower price point than the full frame a7 series.
Is GoPro good for underwater photography?
Our passion and growing interest in marine life is reflected in our desire to offer high definition underwater cameras that will help expose its wonders and educate others. For those who are just as passionate as we are, we understand the importance of finding the best quality underwater equipment at an affordable price. We have a range of customers, from professors and students at universities around the world, to research facilities, to charter boats, to television production companies, to local anglers and divers. Regardless of who you are, you should never compromise on finding the highest quality equipment from a reputable company.
Does GoPro hero 7 have zoom?
Another particularly exciting camera that we are anxiously awaiting, and which should be released anytime time now, is the Sony a7S III. Due to the success of the Sony a7s II we think the a7S III will be an even more exciting release. When Panasonic announced 6K capability in the S1H, there has been some speculation that Sony may try to match this capability with the a7S III, but it’s impossible to know.
While the GH5 was the first mirrorless camera to record 4K 60p, the GH5s takes it one step further and can record 4k 60p in Cinema 4K (4096 x 2160) -- a version of 4K recording that maximized resolution. The GH5s is also capable of internal 4:2:2 10-bit recording, which delivers even stronger than the color reproduction. It can also shoot HD at 240fps, and you can use a Vlog-L color profile for great dynamic range.
The Canon G7X III is a tiny camera with a large 1-inch, 20 MP sensor, a direct competitor to the Sony RX100 series cameras. It is an excellent, fast-focusing camera with great image quality and has dedicated macro focus. The camera also boasts 4K video, slow motion video, a bigger image buffer, a new stacked sensor, a better image processor, and quicker burst shooting over the G7X II.
Is GoPro still the best?
The design of the Fujifilm FinePix XP140 is fun and kid-friendly, making it a solid choice for family holidays, but this doesn't mean it skimps on imaging tech. While it's not going to challenge something like the Olympus Tough TG-6, it's a capable little camera in its own right, able to shoot 4K video (albeit at a disappointing 15p) and equipped with an impressive 5x optical zoom lens with an equivalent focal range of 28-140mm, and all this comes at an extremely friendly sub-£200 price tag. A new scene recognition mode helps the XP140 assess for what it's photographing (which goes some of the way towards compensating for a lack of manual controls), and the controls are well laid-out and easy to use, even when in murky underwater conditions. For the price, this is a really solid buy.
The Sony A7 series has led the charge in full frame mirrorless cameras and the A7 III and A7R III have been some of the most popular cameras on the market since their release in April 2018. Similar to the Nikon Z6 and the Panasonic S1, the Sony A7 III has fewer, larger pixels compared to the A7R III and therefore, a more favorable for video use due to the resulting low light capabilities. The A7 III tops out at 4K 30p and records internal 4:2:2 8-bit video. You also have the ability to shoot on various picture profiles like HLG & S-Log3 Gammas, which offer less-compressed video capture and facilitate maximum color rendition and dynamic range for post-production flexibility. It also has impressive autofocus capabilities with a 693-point hybrid autofocus system.
The Nikon Z6 is the Nikon equivalent of the Panasonic S1 -- Nikon’s lower-megapixel version of their Z Series full frame mirrorless cameras. The Nikon Z6 offers a 24MP, full frame sensor with fewer, larger pixels than the Z7 making it a more favorable choice for video due to the low light advantages. One benefit of the Nikon Z7, as compared to the Panasonic S1, is its size. The Z7 is small and compact -- a major reason why people are turning from DSLR cameras to mirrorless cameras. The Nikon Z7 has phenomenal autofocus capabilities with 273-point hybrid phase-detection contrast autofocus technology. It tops out at 4K 30p but can natively output 10-bit 4:2:2 over HDMI in the new N-log color profile, promising greater dynamic range and flexibility in post. Beyond that, with its new firmware, it will become the first hybrid camera to offer RAW video output when coupled with the Ninja V monitor/recorder.