Another highly sought-after, and relatively exclusive, feature within the video camera realm is the ability to record in RAW or ProRes. These are uncompressed formats that maximize the information gathered by the sensor and provide you with extended flexibility when it comes to color grading and post-processing. As mentioned, this feature is quite an exclusive one and only available in a select few cameras on the market with good processors (again, excluding high-end cinema systems). Some select cameras can record in ProRes Raw with an Atomos Ninja V external recorder. Nauticam offers a housing for the Ninja V for use with your underwater system.
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Action cameras like GoPros have their advantages too though. They're generally much smaller than waterproof compacts, making them lighter and easier to mount via a chest harness or helmet mount or similar. The best action cameras also tend to have better video specs, offering pristine 4K in high frame rates, which many waterproof compacts currently lack.
The rest of the camera's highlights include Wi-Fi for smartphone connectivity (via an app), GPS, a built-in eCompass, and a temperature sensor. You can embed data from the sensors in your images when you edit them, thanks to a dedicated app by Olympus. And the 3-inch LCD display means navigating through all the camera's features is easy. The screen is considerably sharper than one found in the device's predecessor.
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The Sony a7II is the only full-frame mirrorless camera to offer in-body image stabilization systems and its performance is excellent. The body is comfortable to shoot with and offers a broad set of features that should appeal to both still and video shooters. The Sony a7 II has a 24.3MP resolution, great Full HD video capabilities and fast auto focus.
Before you start digging into the reviews, a few notes on choosing a cam that's right for you. You'll definitely want to consider frame rate, expressed as frames per second (fps). Some action cameras offer up to 240fps recording, while others only go to 30fps. For standard playback, 30fps is perfectly fine. It's when you want to slow footage down in editing to create dramatic scenes that frame rate matters. Footage captured at 240fps can be slowed down and played back smoothly at one-quarter speed. You may also want to go for a cinematic look, in which case you'll want one that has a 24fps capture option, the same speed used by most Hollywood productions.
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