The A7 III, with its compact and ergonomic design, has been a very popular camera for video recording. The battery life is drastically improved compared to the previous A7 Series cameras, which was a primary complaint of Sony Alpha users and is particularly beneficial for underwater video, as it allows you to shoot for much longer without the need to open the housing. The A7 III also has dual SD card slots, which play an additional role in the maximum allotted time you can record underwater without having to open the housing. The auto-focus during video works very well.
Are GoPro adhesive mounts reusable?
This is the Swiss army knife of tough cameras, equipped with ring lights around its lens that function as a torch as well as a macro light, allowing you to see what you're doing underwater as well as keep your subjects illuminated. While it's not a big update over the previous WG-50, it's got a fair few nifty features that make it worth consideration. The microscope mode lets it focus at distances as close as 1mm, while the Handheld Night Snap captures several images of a low-light scene in quick succession and blends them together to create a blur-free composite image. This is all housed in a body with serious protections, able to stay submerged in 14m of water for up to 2 hours.
The Panasonic Lumix GH5s has been the go-to mirrorless camera for video use over the last two years and even with the advent of newer full frame mirrorless cameras (as listed above) the GH5s still holds its own as a professional video system. There are various underwater housings available for the GH5s and with Nauticam’s newest version of the NA-GH5 you have the option of including an M28 bulkhead for use with HDMI 2.0 and the Atomos Ninja V recorder.
Compared to the Olympus Tough TG-6, the Nikon COOLPIX can capture higher resolution images with more versatile zoom range. But the TG-6 has a brighter lens (f/2.0 versus f/2.8 in the Nikon), as well as the ability to shoot photos with higher ISO, so it's better in low-light photography. The Olympus also has higher burst-capture capabilities than the Nikon (20 versus 7 frames per second).
Is GoPro a good camera?
Before you start digging into the reviews, a few notes on choosing a cam that's right for you. You'll definitely want to consider frame rate, expressed as frames per second (fps). Some action cameras offer up to 240fps recording, while others only go to 30fps. For standard playback, 30fps is perfectly fine. It's when you want to slow footage down in editing to create dramatic scenes that frame rate matters. Footage captured at 240fps can be slowed down and played back smoothly at one-quarter speed. You may also want to go for a cinematic look, in which case you'll want one that has a 24fps capture option, the same speed used by most Hollywood productions.
How do I set up my GoPro hero 7?
The Sony RX100 VA, VI & VII cameras are the latest additions to the Sony RX100 series and are packed with lots of awesome features for underwater photography. They are the top of line compact cameras to date. Autofocus is lightning quick in both cameras, which is very beneficial for underwater application. Both feature a large 1" sensor with 20 MP resolution, which provides excellent image quality, fast autofocus, useful video modes (like slow motion) and full manual controls. The RX100 VI's key upgrade is its enhanced zoom using a 24-200 mm f/2.8 – 4.5 lens. The RX100 VA's key upgrade is 24fps sequential shooting, enhanced image buffer, and a customizable menu system. The RX100 VII has some minor improvments over the VI.
There are three things that make the RX100 series one of the best underwater camera. First, their 1-inch sensor size is larger than most other compact cameras besids the G7X II, giving better image quality and better low-light performance due to a larger pixel size. Second, the auto-focus speed is faster than traditional compact cameras. Last, but not least, is its advanced video features, including 4K video.
Is GoPro Audio good?
The W100 isn't a camera you reach for if you want professional results. But it's a good one to get if you don't want to spend a lot of money. It manages smartphone-quality results in bright light, is able to survive modest drops, and is waterproof to 33 feet. It's also priced around $160, which puts it in the low-cost category. We recommend it as one of our top picks for kids learning about photography as well.
The BMPCC4K has a built in 5” monitor, which makes viewing and framing your subjects underwater a breeze. The LCD screen on the BMPCC4K is lovely -- it’s sharp, bright and has good contrast. The BMPCC4K has no in camera stabilization, but this can be solved in post-production with the free Davinci Resolve subscription that comes included with the camera. Also, the BMPCC4K only has single-point autofocus, which is challenging when shooting video underwater. The solution to this, which most videographers prefer anyway, is to use manual focus. With the Nauticam BMPCCII Underwater Housing, there are numerous MFT lenses that Nauticam supports manual focus for. To see a list of supported lenses with the Nauticam BMPCCII Underwater Housing, see our Nauticam Port Chart.
The Olympus OM-D E-M5 Mark II is a powerful 4/3 mirrorless camera. It has 16-megapixels but is also capable of shooting in a 40-megapixel (64 in RAW), high-resolution shooting mode. The E-M5 Mark II also has WiFi to make sharing photos with your dive buddies even easier. This camera is a great option for photographers who travel often and want a camera that won’t break the bank.
How do you take good pictures with a GoPro?
The next most immediate specification to consider would be the frame rate that your video camera allows you to record in. Top-of-the-line video cameras record at 4K resolution and 60 frames per second (fps), giving your footage that smooth, slow-motion cinema look that everybody loves. This is a highly sought-after capability and only a select few cameras on the market (excluding high-end cinema systems) provide this feature.