The Canon 1DX Mark II has been a staple DSLR camera for professional video since its release in early 2016. It comes equipped with a 20MP, 35mm Full Frame Canon CMOS sensor and records 4K video at 60fps or Full HD video at 120fps. Very few full-frame cameras can record video at these high frame rates and a high bit-rate, which can then be slowed down for slow-motion video. 

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The Sony A7 series has led the charge in full frame mirrorless cameras and the A7 III and A7R III have been some of the most popular cameras on the market since their release in April 2018. Similar to the Nikon Z6 and the Panasonic S1, the Sony A7 III has fewer, larger pixels compared to the A7R III and therefore, a more favorable for video use due to the resulting low light capabilities. The A7 III tops out at 4K 30p and records internal 4:2:2 8-bit video. You also have the ability to shoot on various picture profiles like HLG & S-Log3 Gammas, which offer less-compressed video capture and facilitate maximum color rendition and dynamic range for post-production flexibility. It also has impressive autofocus capabilities with a 693-point hybrid autofocus system.

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The Nauticam Panasonic S1/S1R housing offers an M28 bulkhead, designed to be used with the HDMI 2.0 cable with the Atomos Ninja V monitor/recorder. When shooting the Panasonic S1 with the Atomos Ninja V monitor/recorder, you will immediately be able to record 10-bit 4:2:2 HDR footage direct to Apple ProRes or Avid DNx. This is highly advantageous and the Nauticam housing for both the Panasonic S1 and the Atomos Ninja V work hand in hand to provide a particularly user friendly system.
Canon is consistently a leading manufacturer of cameras and lenses in the video realm and the 1DX MkII is their flagship camera. The color science that is characteristic of Canon systems is highly sought-after and the sharpness of their lenses is not to be understated. If you are looking for a top-of-the-line DSLR that functions not only as an amazing stills camera but also as a professional-grade video camera, the Canon 1DX MkII is for you. The downside, is that the underwater housings are somewhat larger than the other housings listed in this guide.

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Panasonic is the latest manufacturer to release their line of mirrorless full frame cameras. They released the Panasonic S-series in March of 2019 and swept the photo world of its feet with these impressive new mirrorless cameras. The Panasonic S1 is the S-series camera designed for video, as it incorporates fewer, larger pixels that yield impressive low-light capabilities. The Panasonic S1 incorporates a 24MP, full frame sensor with a new Leica-L lens mount. The S-series cameras bested all other full-frame mirrorless lines in many categories. The Panasonic S1 (and S1R) is the first full frame mirrorless camera to shoot 4K at 60fps -- a feature that full frame mirrorless shooters have been waiting for for years. Not only that but with the latest firmware update, the Panasonic S1 can record 4:2:2 10-bit footage internally, making it an absolute workhorse for color science and post-processing workflow.

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There are three things that make the RX100 series one of the best underwater camera. First, their 1-inch sensor size is larger than most other compact cameras besids the G7X II, giving better image quality and better low-light performance due to a larger pixel size. Second, the auto-focus speed is faster than traditional compact cameras. Last, but not least, is its advanced video features, including 4K video.

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Another particularly exciting camera that we are anxiously awaiting, and which should be released anytime time now, is the Sony a7S III. Due to the success of the Sony a7s II we think the a7S III will be an even more exciting release. When Panasonic announced 6K capability in the S1H, there has been some speculation that Sony may try to match this capability with the a7S III, but it’s impossible to know.

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The highlight of the RX100 VI over the RX100 VA is its unprecedented macro capability. The zoom on the 24-200 mm f/2.8-4.5 zoom lens cannot be beaten by other compact underwater setups. Details captured with this lens are remarkable. When combined with a wet macro lens (diopter), the realm of super macro photography is attainable. The tiniest details of the smallest subjects can be captured with this set up (once you get a little practice in of course).

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Our passion and growing interest in marine life is reflected in our desire to offer high definition underwater cameras that will help expose its wonders and educate others. For those who are just as passionate as we are, we understand the importance of finding the best quality underwater equipment at an affordable price. We have a range of customers, from professors and students at universities around the world, to research facilities, to charter boats, to television production companies, to local anglers and divers. Regardless of who you are, you should never compromise on finding the highest quality equipment from a reputable company.

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The BMPCC4K has a built in 5” monitor, which makes viewing and framing your subjects underwater a breeze. The LCD screen on the BMPCC4K is lovely -- it’s sharp, bright and has good contrast. The BMPCC4K has no in camera stabilization, but this can be solved in post-production with the free Davinci Resolve subscription that comes included with the camera. Also, the BMPCC4K only has single-point autofocus, which is challenging when shooting video underwater. The solution to this, which most videographers prefer anyway, is to use manual focus. With the Nauticam BMPCCII Underwater Housing, there are numerous MFT lenses that Nauticam supports manual focus for. To see a list of supported lenses with the Nauticam BMPCCII Underwater Housing, see our Nauticam Port Chart.

There are some cameras that were made specifically for being used underwater for example the SeaLife DC1400. But, just from reading the mixed bag of customer reviews on Amazon, it’s clear that it’s not the best underwater camera for scuba diving. The buttons stick, the flash doesn’t work, the shutter delay is insanely slow… just a few of the problems you can run into.

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So what makes a good underwater camera? In addition to image and video quality, there are several other important factors to consider, like the overall quality of the camera's optics, including zoom range and maximum aperture. The latter is crucial for low-light photography, as larger aperture typically results in better photos since it allows more light in. It also minimizes motion blur, making larger apertures perfect for action shots. (Note: The smaller the number, the larger the aperture.)
The next most immediate specification to consider would be the frame rate that your video camera allows you to record in. Top-of-the-line video cameras record at 4K resolution and 60 frames per second (fps), giving your footage that smooth, slow-motion cinema look that everybody loves. This is a highly sought-after capability and only a select few cameras on the market (excluding high-end cinema systems) provide this feature.
You'll also want to keep your specific needs in mind. Not all cameras are suitable for every sport, and certain form factors lend themselves better to certain activities. On top of that, different shapes allow for different mounting accessories and possibilities. If you want to catch a unique perspective, like an under-skateboard shot, you'll want to pay close attention to size.
Another highly sought-after, and relatively exclusive, feature within the video camera realm is the ability to record in RAW or ProRes. These are uncompressed formats that maximize the information gathered by the sensor and provide you with extended flexibility when it comes to color grading and post-processing. As mentioned, this feature is quite an exclusive one and only available in a select few cameras on the market with good processors (again, excluding high-end cinema systems). Some select cameras can record in ProRes Raw with an Atomos Ninja V external recorder. Nauticam offers a housing for the Ninja V for use with your underwater system.

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