The Olympus OM-D E-M5 Mark II is a powerful 4/3 mirrorless camera. It has 16-megapixels but is also capable of shooting in a 40-megapixel (64 in RAW), high-resolution shooting mode. The E-M5 Mark II also has WiFi to make sharing photos with your dive buddies even easier. This camera is a great option for photographers who travel often and want a camera that won’t break the bank.  

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Waterproofing is important to consider if you'll be recording footage underwater or even around water. Some waterproof cameras can go deeper than others, and some have built-in waterproofing so that you don't need to think about extra housing. And if you're already invested in a system, like GoPro, which uses a proprietary mount, then sticking with what you've got can help save money on extra accessories.

The Nikon D810 raises the bar for image quality and dynamic range. It performs with great speed and precision, making it great for shooting wildlife. With 36.3 megapixels and an all-new full-frame sensors paired with Nikon’s innovative EXPEED 4 image processing, this camera delivers flawless detail retention and noise-free images from ISO 64 to 12,800. For those seeking the best in DSLR image quality, the D810 is for you.


Another highly sought-after, and relatively exclusive, feature within the video camera realm is the ability to record in RAW or ProRes. These are uncompressed formats that maximize the information gathered by the sensor and provide you with extended flexibility when it comes to color grading and post-processing. As mentioned, this feature is quite an exclusive one and only available in a select few cameras on the market with good processors (again, excluding high-end cinema systems). Some select cameras can record in ProRes Raw with an Atomos Ninja V external recorder. Nauticam offers a housing for the Ninja V for use with your underwater system.

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When coupled with the Atomos Ninja V, the Nikon Z6 will output RAW video over HDMI -- similar to what the Blackmagic Pocket Cinema Camera 4K can do internally. RAW video capture, similar to RAW photos, preserves more data than compressed formats and allows you to record more color and capture more detail in the shadows and highlights. This firmware update makes the Nikon Z6 with the Atomos Ninja v recorder one of the most competitive video kits on the market, competing with high end cinema cameras costing tens of thousands of dollars.

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Before you start digging into the reviews, a few notes on choosing a cam that's right for you. You'll definitely want to consider frame rate, expressed as frames per second (fps). Some action cameras offer up to 240fps recording, while others only go to 30fps. For standard playback, 30fps is perfectly fine. It's when you want to slow footage down in editing to create dramatic scenes that frame rate matters. Footage captured at 240fps can be slowed down and played back smoothly at one-quarter speed. You may also want to go for a cinematic look, in which case you'll want one that has a 24fps capture option, the same speed used by most Hollywood productions.

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Panasonic is well established brand in the video realm and their reputation definitely precedes this product. They included a fast working DFD feature that calculated the focus distance to help prevent your video from being blurry or out of focus. If you want a simple, compact camera that will render high-quality underwater video, the Panasonic Lumix LX10 is a great camera for you.
Panasonic is the latest manufacturer to release their line of mirrorless full frame cameras. They released the Panasonic S-series in March of 2019 and swept the photo world of its feet with these impressive new mirrorless cameras. The Panasonic S1 is the S-series camera designed for video, as it incorporates fewer, larger pixels that yield impressive low-light capabilities. The Panasonic S1 incorporates a 24MP, full frame sensor with a new Leica-L lens mount. The S-series cameras bested all other full-frame mirrorless lines in many categories. The Panasonic S1 (and S1R) is the first full frame mirrorless camera to shoot 4K at 60fps -- a feature that full frame mirrorless shooters have been waiting for for years. Not only that but with the latest firmware update, the Panasonic S1 can record 4:2:2 10-bit footage internally, making it an absolute workhorse for color science and post-processing workflow.
The Nikon Z6 is the Nikon equivalent of the Panasonic S1 -- Nikon’s lower-megapixel version of their Z Series full frame mirrorless cameras. The Nikon Z6 offers a 24MP, full frame sensor with fewer, larger pixels than the Z7 making it a more favorable choice for video due to the low light advantages. One benefit of the Nikon Z7, as compared to the Panasonic S1, is its size. The Z7 is small and compact -- a major reason why people are turning from DSLR cameras to mirrorless cameras. The Nikon Z7 has phenomenal autofocus capabilities with 273-point hybrid phase-detection contrast autofocus technology. It tops out at 4K 30p but can natively output 10-bit 4:2:2 over HDMI in the new N-log color profile, promising greater dynamic range and flexibility in post. Beyond that, with its new firmware, it will become the first hybrid camera to offer RAW video output when coupled with the Ninja V monitor/recorder.

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The Panasonic Lumix GH5s has been the go-to mirrorless camera for video use over the last two years and even with the advent of newer full frame mirrorless cameras (as listed above) the GH5s still holds its own as a professional video system. There are various underwater housings available for the GH5s and with Nauticam’s newest version of the NA-GH5 you have the option of including an M28 bulkhead for use with HDMI 2.0 and the Atomos Ninja V recorder.

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The highlight of the RX100 VI over the RX100 VA is its unprecedented macro capability. The zoom on the 24-200 mm f/2.8-4.5 zoom lens cannot be beaten by other compact underwater setups. Details captured with this lens are remarkable. When combined with a wet macro lens (diopter), the realm of super macro photography is attainable. The tiniest details of the smallest subjects can be captured with this set up (once you get a little practice in of course).

Can GoPro hero 7 take pictures?


The TG-6 can capture excellent 12 MP stills in up to a whopping 20 frames per second, as well as ultra crisp 4K video via a 4-times magnification optical zoom lens with f/2.0 aperture. Microscope mode for ultra close-up shooting is also among the camera's features, as is the ability to capture panoramas and time-lapses. Advanced photographers have the option to save their images in RAW file format for more extensive edits.

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Most models have a single lens, with an ultra-wide angle of view, so you can experiment with mounting and get a big view of the world in frame. Some dual-lens cameras, like the recently announced GoPro Max, capture a 360-degree view of the world. VR playback isn't as popular as it was at the peak of the fad, but editing tools make it possible to convert 360-degree footage into a 16:9 playback format in creative ways. 

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The SeaLife DC2000 is the best underwater camera from a company you've probably never heard of. It doesn't look that much different from the TG-5—it's about the same size, and the style and controls are similar too. But inside is a sensor that's four times the size, and a lens that's a little brighter. It's not necessarily a crowd-pleaser—the lack of zoom power and generally slow operation make it a niche camera. But serious divers will find it a good option, as it can go as deep as 200 feet using the included case, and is good to sixty feet without it.

Before you start digging into the reviews, a few notes on choosing a cam that's right for you. You'll definitely want to consider frame rate, expressed as frames per second (fps). Some action cameras offer up to 240fps recording, while others only go to 30fps. For standard playback, 30fps is perfectly fine. It's when you want to slow footage down in editing to create dramatic scenes that frame rate matters. Footage captured at 240fps can be slowed down and played back smoothly at one-quarter speed. You may also want to go for a cinematic look, in which case you'll want one that has a 24fps capture option, the same speed used by most Hollywood productions.
The next most immediate specification to consider would be the frame rate that your video camera allows you to record in. Top-of-the-line video cameras record at 4K resolution and 60 frames per second (fps), giving your footage that smooth, slow-motion cinema look that everybody loves. This is a highly sought-after capability and only a select few cameras on the market (excluding high-end cinema systems) provide this feature.

Which is the best GoPro for the money?


The Nauticam Panasonic S1/S1R housing offers an M28 bulkhead, designed to be used with the HDMI 2.0 cable with the Atomos Ninja V monitor/recorder. When shooting the Panasonic S1 with the Atomos Ninja V monitor/recorder, you will immediately be able to record 10-bit 4:2:2 HDR footage direct to Apple ProRes or Avid DNx. This is highly advantageous and the Nauticam housing for both the Panasonic S1 and the Atomos Ninja V work hand in hand to provide a particularly user friendly system.
Housings are a topic that deserves a detailed post of their own and you’ll see one here on The Adventure Junkies in the future. But, until then let me briefly talk about choosing an underwater housing. Also, you can read Basics of Underwater Photography: Choosing Cameras & Housings which goes into more detail about housings as well as ports, lenses and accessories.

How do you use a GoPro hero?


The Olympus OM-D E-M5 Mark II is a powerful 4/3 mirrorless camera. It has 16-megapixels but is also capable of shooting in a 40-megapixel (64 in RAW), high-resolution shooting mode. The E-M5 Mark II also has WiFi to make sharing photos with your dive buddies even easier. This camera is a great option for photographers who travel often and want a camera that won’t break the bank.  

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The highlight of the RX100 VI over the RX100 VA is its unprecedented macro capability. The zoom on the 24-200 mm f/2.8-4.5 zoom lens cannot be beaten by other compact underwater setups. Details captured with this lens are remarkable. When combined with a wet macro lens (diopter), the realm of super macro photography is attainable. The tiniest details of the smallest subjects can be captured with this set up (once you get a little practice in of course).
Canon is consistently a leading manufacturer of cameras and lenses in the video realm and the 1DX MkII is their flagship camera. The color science that is characteristic of Canon systems is highly sought-after and the sharpness of their lenses is not to be understated. If you are looking for a top-of-the-line DSLR that functions not only as an amazing stills camera but also as a professional-grade video camera, the Canon 1DX MkII is for you. The downside, is that the underwater housings are somewhat larger than the other housings listed in this guide.
The A7 III, with its compact and ergonomic design, has been a very popular camera for video recording. The battery life is drastically improved compared to the previous A7 Series cameras, which was a primary complaint of Sony Alpha users and is particularly beneficial for underwater video, as it allows you to shoot for much longer without the need to open the housing. The A7 III also has dual SD card slots, which play an additional role in the maximum allotted time you can record underwater without having to open the housing. The auto-focus during video works very well.

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