The Olympus OM-D E-M5 Mark II is a powerful 4/3 mirrorless camera. It has 16-megapixels but is also capable of shooting in a 40-megapixel (64 in RAW), high-resolution shooting mode. The E-M5 Mark II also has WiFi to make sharing photos with your dive buddies even easier. This camera is a great option for photographers who travel often and want a camera that won’t break the bank. 

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Most models have a single lens, with an ultra-wide angle of view, so you can experiment with mounting and get a big view of the world in frame. Some dual-lens cameras, like the recently announced GoPro Max, capture a 360-degree view of the world. VR playback isn't as popular as it was at the peak of the fad, but editing tools make it possible to convert 360-degree footage into a 16:9 playback format in creative ways.
The Nikon Z6 is the Nikon equivalent of the Panasonic S1 -- Nikon’s lower-megapixel version of their Z Series full frame mirrorless cameras. The Nikon Z6 offers a 24MP, full frame sensor with fewer, larger pixels than the Z7 making it a more favorable choice for video due to the low light advantages. One benefit of the Nikon Z7, as compared to the Panasonic S1, is its size. The Z7 is small and compact -- a major reason why people are turning from DSLR cameras to mirrorless cameras. The Nikon Z7 has phenomenal autofocus capabilities with 273-point hybrid phase-detection contrast autofocus technology. It tops out at 4K 30p but can natively output 10-bit 4:2:2 over HDMI in the new N-log color profile, promising greater dynamic range and flexibility in post. Beyond that, with its new firmware, it will become the first hybrid camera to offer RAW video output when coupled with the Ninja V monitor/recorder.
There are three things that make the RX100 series one of the best underwater camera. First, their 1-inch sensor size is larger than most other compact cameras besids the G7X II, giving better image quality and better low-light performance due to a larger pixel size. Second, the auto-focus speed is faster than traditional compact cameras. Last, but not least, is its advanced video features, including 4K video.

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So what makes a good underwater camera? In addition to image and video quality, there are several other important factors to consider, like the overall quality of the camera's optics, including zoom range and maximum aperture. The latter is crucial for low-light photography, as larger aperture typically results in better photos since it allows more light in. It also minimizes motion blur, making larger apertures perfect for action shots. (Note: The smaller the number, the larger the aperture.)
The Panasonic Lumix GH5s has been the go-to mirrorless camera for video use over the last two years and even with the advent of newer full frame mirrorless cameras (as listed above) the GH5s still holds its own as a professional video system. There are various underwater housings available for the GH5s and with Nauticam’s newest version of the NA-GH5 you have the option of including an M28 bulkhead for use with HDMI 2.0 and the Atomos Ninja V recorder.

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The W300 does have GPS, Bluetooth, and Wi-Fi connectivity for seamless smartphone connectivity. The rest of its highlights include a 3-inch LCD display and a quartet of environmental sensors whose data you can add to your images. They include a barometer, a compass, a built-in depth gauge, and a thermometer. Nikon offers the camera in black, yellow, and orange.
The Canon G7X III is a tiny camera with a large 1-inch, 20 MP sensor, a direct competitor to the Sony RX100 series cameras. It is an excellent, fast-focusing camera with great image quality and has dedicated macro focus. The camera also boasts 4K video, slow motion video, a bigger image buffer, a new stacked sensor, a better image processor, and quicker burst shooting over the G7X II.

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This is the Swiss army knife of tough cameras, equipped with ring lights around its lens that function as a torch as well as a macro light, allowing you to see what you're doing underwater as well as keep your subjects illuminated. While it's not a big update over the previous WG-50, it's got a fair few nifty features that make it worth consideration. The microscope mode lets it focus at distances as close as 1mm, while the Handheld Night Snap captures several images of a low-light scene in quick succession and blends them together to create a blur-free composite image. This is all housed in a body with serious protections, able to stay submerged in 14m of water for up to 2 hours. 
The Olympus OM-D E-M5 Mark II is a powerful 4/3 mirrorless camera. It has 16-megapixels but is also capable of shooting in a 40-megapixel (64 in RAW), high-resolution shooting mode. The E-M5 Mark II also has WiFi to make sharing photos with your dive buddies even easier. This camera is a great option for photographers who travel often and want a camera that won’t break the bank. 
Like I mentioned, underwater housings can cost more than the camera itself so choosing the right one is an extremely important decision. They do more than just keeping your camera dry. They also protect it from pressure, allow you to use the camera controls, enable the use of different lens ports and hold accessories like lighting. Be sure to invest wisely on this one!
The Canon G7X III is a tiny camera with a large 1-inch, 20 MP sensor, a direct competitor to the Sony RX100 series cameras. It is an excellent, fast-focusing camera with great image quality and has dedicated macro focus. The camera also boasts 4K video, slow motion video, a bigger image buffer, a new stacked sensor, a better image processor, and quicker burst shooting over the G7X II.

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Now, as mentioned previously, the 4K Video Type is an important factor to consider as well. In order to record 4K 60p, the Panasonic S1 crops the sensor to a APS-C sensor at 4:2:0 8-bit. Although this is not as impressive as the Full Frame 4K 60p recording available with the Canon 1DX MkII, it is still a leap forward in full frame mirrorless technology and a particularly favorable feature.
There are some cameras that were made specifically for being used underwater for example the SeaLife DC1400. But, just from reading the mixed bag of customer reviews on Amazon, it’s clear that it’s not the best underwater camera for scuba diving. The buttons stick, the flash doesn’t work, the shutter delay is insanely slow… just a few of the problems you can run into.

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The FT30 isn't the newest waterproof digital camera here, and doesn't quite offer any best-in-class specs, but what it does offer is commensurate with its very reasonable asking price. It’s also pleasingly slim enough to fit in a snug jeans pocket or similar, although this does come at the cost of a secure grip; you might want to invest in a wrist strap to ensure the FT30 doesn’t get away from you. Provided you keep hold of it, the FT30 is a solid and versatile waterproof camera that should prove well-suited to recording your aquatic adventures – in stills form, anyway. The lower video resolution of 720p means that if you’re a video aficionado, you’re probably better off with one of the other waterproof digital cameras on this list. 
The Sony RX100 VI is our choice for best underwater camera for macro. This camera boasts a 24-200mm lens that can produce incredible magnifcation for even the tiniest subjects. The zoom and optical quality of this new lens has the capability of producing stunning, detailed macro, and super-macro images – especially when paired with a wet lens. The quick autofocus is also a key feature of the camera. 

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What is the best camera for underwater photography? As you may know from reading the Underwater Photography Guide, it is important to select a compact camera that offers full manual controls, the ability to shoot in RAW, HD video, and the ability to accept wide-angle and macro wet lenses. We need to look at not only the camera features, but the quality of available underwater housings.

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Another highly sought-after, and relatively exclusive, feature within the video camera realm is the ability to record in RAW or ProRes. These are uncompressed formats that maximize the information gathered by the sensor and provide you with extended flexibility when it comes to color grading and post-processing. As mentioned, this feature is quite an exclusive one and only available in a select few cameras on the market with good processors (again, excluding high-end cinema systems). Some select cameras can record in ProRes Raw with an Atomos Ninja V external recorder. Nauticam offers a housing for the Ninja V for use with your underwater system.

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The FT30 isn't the newest waterproof digital camera here, and doesn't quite offer any best-in-class specs, but what it does offer is commensurate with its very reasonable asking price. It’s also pleasingly slim enough to fit in a snug jeans pocket or similar, although this does come at the cost of a secure grip; you might want to invest in a wrist strap to ensure the FT30 doesn’t get away from you. Provided you keep hold of it, the FT30 is a solid and versatile waterproof camera that should prove well-suited to recording your aquatic adventures – in stills form, anyway. The lower video resolution of 720p means that if you’re a video aficionado, you’re probably better off with one of the other waterproof digital cameras on this list. 
The Sony RX100 VA, VI & VII cameras are the latest additions to the Sony RX100 series and are packed with lots of awesome features for underwater photography. They are the top of line compact cameras to date. Autofocus is lightning quick in both cameras, which is very beneficial for underwater application. Both feature a large 1" sensor with 20 MP resolution, which provides excellent image quality, fast autofocus, useful video modes (like slow motion) and full manual controls. The RX100 VI's key upgrade is its enhanced zoom using a 24-200 mm f/2.8 – 4.5 lens. The RX100 VA's key upgrade is 24fps sequential shooting, enhanced image buffer, and a customizable menu system. The RX100 VII has some minor improvments over the VI.
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