The Canon G7X III is a tiny camera with a large 1-inch, 20 MP sensor, a direct competitor to the Sony RX100 series cameras. It is an excellent, fast-focusing camera with great image quality and has dedicated macro focus. The camera also boasts 4K video, slow motion video, a bigger image buffer, a new stacked sensor, a better image processor, and quicker burst shooting over the G7X II.
Another highly sought-after, and relatively exclusive, feature within the video camera realm is the ability to record in RAW or ProRes. These are uncompressed formats that maximize the information gathered by the sensor and provide you with extended flexibility when it comes to color grading and post-processing. As mentioned, this feature is quite an exclusive one and only available in a select few cameras on the market with good processors (again, excluding high-end cinema systems). Some select cameras can record in ProRes Raw with an Atomos Ninja V external recorder. Nauticam offers a housing for the Ninja V for use with your underwater system.
Lead camera analyst for the PCMag consumer electronics reviews team, Jim Fisher is a graduate of the Rensselaer Polytechnic Institute, where he concentrated on documentary video production. Jim's interest in photography really took off when he borrowed his father's Hasselblad 500C and light meter in 2007. He honed his writing skills at retailer B&H... See Full Bio 

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The RX100 VA introduced an increased image buffer, burst shooting up to 24fps, and customizable menus. This is excellent for photographers seeking to capture quick pelagic animals that need good burst speed and more processing power. The RX100 VA still carries all of the advantages of the RX100 V including the 315 point phase detection autofocus system and the 20 MP/1" Exmor RS BSI CMOS sensor. The main advantage of the RX100 VA over the VI is that the RX100 VA is able to shoot with both macro and wide-angle wet lenses on the same dive. This is because the lens is shorter and has less zoom capability than the RX100 VI. You also don't need to purchase additional ports/adapters for dedicated wide angle and macro set ups.
Here, we have outlined the best cameras for underwater video in order from best to last-best. Yes -- indeed the last camera mentioned has been classified as ‘last-best’ since if it were not an excellent choice for underwater video, we would not put it on this list! Here we will walk you through some of the key points that make each camera great for underwater video and hopefully make the process of choosing which underwater video camera is best for you, a little bit easier.
The Canon G7X III is a tiny camera with a large 1-inch, 20 MP sensor, a direct competitor to the Sony RX100 series cameras. It is an excellent, fast-focusing camera with great image quality and has dedicated macro focus. The camera also boasts 4K video, slow motion video, a bigger image buffer, a new stacked sensor, a better image processor, and quicker burst shooting over the G7X II.

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When coupled with the Atomos Ninja V, the Nikon Z6 will output RAW video over HDMI -- similar to what the Blackmagic Pocket Cinema Camera 4K can do internally. RAW video capture, similar to RAW photos, preserves more data than compressed formats and allows you to record more color and capture more detail in the shadows and highlights. This firmware update makes the Nikon Z6 with the Atomos Ninja v recorder one of the most competitive video kits on the market, competing with high end cinema cameras costing tens of thousands of dollars.

What makes the “Best Underwater Video Camera”? When shooting underwater video, or video in general, there are many factors to consider. To start, being able to record 4K video is now a luxury that is expected out of any respectable video camera and 4K capture is definitely something you should consider when choosing your underwater video camera. The good news is nearly every new DSLR, mirrorless or compact camera features 4K recording capabilities. Where it becomes complicated is the 4K Video Type, which basically is the way in which a camera records 4K video. There are three types of cameras when it comes to 4K recording. The most ideal camera is one that has a full pixel readout from a 35mm sensor (often shooting the initial video in 6K) that will downsample to 4K, adding additional details to the video. Intermediate 4K quality comes from cameras that use pixel binning to process their 4K video. The worst 4K quality comes from cameras that “crop” the video by using only part of the sensor to capture 4K footage. This produces the worst quality because less sensor area is being used to capture light while filming video. The Canon EOS R was a disappointment for videographers for this reason.


Action cameras have replaced traditional point-and-shoots and camcorders for many types of underwater and outdoor work. Their small, go-anywhere designs and ultra-wide lenses make them ideal for mounting—whether it be to a surfboard or dive helmet—and they are built tough. While many of these cameras still require an external case to be waterproof, the GoPro Hero8 Black can go down to 33 feet without one, and offers class-leading video stabilization, making it our top pick.
The new Canon EOS Mark III 5D is a top of the line camera that was designed for photographers who want the best. With at 22MP full frame CMOS sensor it delivers high quality video with decreased noise at high ISO settings (100-25600). The Mark III is a great option for professional underwater photographers and advanced enthusiasts who want the best.

The TG-6 can capture excellent 12 MP stills in up to a whopping 20 frames per second, as well as ultra crisp 4K video via a 4-times magnification optical zoom lens with f/2.0 aperture. Microscope mode for ultra close-up shooting is also among the camera's features, as is the ability to capture panoramas and time-lapses. Advanced photographers have the option to save their images in RAW file format for more extensive edits.

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The Sony A6500 and A6400 are Sony’s top-of-the-line cropped sensor mirrorless cameras. They feature a 24MP APS-C CMOS sensor and records UHD 4K up to 30fps. The Sony A6500 offers many of the same pro-level features characteristic of Sony’s a7 series cameras, such as 5-axis image stabilization and S-Log picture profiles. The Sony A6400 offers the capability of shooting with hybrid log gamma, and an improved color science from the A6300 and A6500. Thanks to the smaller sensor, however, both cameras come at a much lower price point than the full frame a7 series.

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The Nikon Z6 is the Nikon equivalent of the Panasonic S1 -- Nikon’s lower-megapixel version of their Z Series full frame mirrorless cameras. The Nikon Z6 offers a 24MP, full frame sensor with fewer, larger pixels than the Z7 making it a more favorable choice for video due to the low light advantages. One benefit of the Nikon Z7, as compared to the Panasonic S1, is its size. The Z7 is small and compact -- a major reason why people are turning from DSLR cameras to mirrorless cameras. The Nikon Z7 has phenomenal autofocus capabilities with 273-point hybrid phase-detection contrast autofocus technology. It tops out at 4K 30p but can natively output 10-bit 4:2:2 over HDMI in the new N-log color profile, promising greater dynamic range and flexibility in post. Beyond that, with its new firmware, it will become the first hybrid camera to offer RAW video output when coupled with the Ninja V monitor/recorder.

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