The Canon G7X III is a tiny camera with a large 1-inch, 20 MP sensor, a direct competitor to the Sony RX100 series cameras. It is an excellent, fast-focusing camera with great image quality and has dedicated macro focus. The camera also boasts 4K video, slow motion video, a bigger image buffer, a new stacked sensor, a better image processor, and quicker burst shooting over the G7X II.

Is GoPro still the best?


Here, we have outlined the best cameras for underwater video in order from best to last-best. Yes -- indeed the last camera mentioned has been classified as ‘last-best’ since if it were not an excellent choice for underwater video, we would not put it on this list! Here we will walk you through some of the key points that make each camera great for underwater video and hopefully make the process of choosing which underwater video camera is best for you, a little bit easier.
The highlight of the RX100 VI over the RX100 VA is its unprecedented macro capability. The zoom on the 24-200 mm f/2.8-4.5 zoom lens cannot be beaten by other compact underwater setups. Details captured with this lens are remarkable. When combined with a wet macro lens (diopter), the realm of super macro photography is attainable. The tiniest details of the smallest subjects can be captured with this set up (once you get a little practice in of course).

Which GoPro accessories to get?


The Sony A7 series has led the charge in full frame mirrorless cameras and the A7 III and A7R III have been some of the most popular cameras on the market since their release in April 2018. Similar to the Nikon Z6 and the Panasonic S1, the Sony A7 III has fewer, larger pixels compared to the A7R III and therefore, a more favorable for video use due to the resulting low light capabilities. The A7 III tops out at 4K 30p and records internal 4:2:2 8-bit video. You also have the ability to shoot on various picture profiles like HLG & S-Log3 Gammas, which offer less-compressed video capture and facilitate maximum color rendition and dynamic range for post-production flexibility. It also has impressive autofocus capabilities with a 693-point hybrid autofocus system.
The TG-6 can capture excellent 12 MP stills in up to a whopping 20 frames per second, as well as ultra crisp 4K video via a 4-times magnification optical zoom lens with f/2.0 aperture. Microscope mode for ultra close-up shooting is also among the camera's features, as is the ability to capture panoramas and time-lapses. Advanced photographers have the option to save their images in RAW file format for more extensive edits.
The Olympus TG-6 is the same size as the TG-5 and has very minor improvements which you can read about in the link above. The TG-6 will work in the TG-5 housing. This section applies equally to both the TG-5 and the TG-6. Either of these cameras can also be considered the best waterproof camera, outside of a housing. The TG-5 is just as good as the TG-6, and we have a great deal on it.

Another highly sought-after, and relatively exclusive, feature within the video camera realm is the ability to record in RAW or ProRes. These are uncompressed formats that maximize the information gathered by the sensor and provide you with extended flexibility when it comes to color grading and post-processing. As mentioned, this feature is quite an exclusive one and only available in a select few cameras on the market with good processors (again, excluding high-end cinema systems). Some select cameras can record in ProRes Raw with an Atomos Ninja V external recorder. Nauticam offers a housing for the Ninja V for use with your underwater system.


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The Nauticam Panasonic S1/S1R housing offers an M28 bulkhead, designed to be used with the HDMI 2.0 cable with the Atomos Ninja V monitor/recorder. When shooting the Panasonic S1 with the Atomos Ninja V monitor/recorder, you will immediately be able to record 10-bit 4:2:2 HDR footage direct to Apple ProRes or Avid DNx. This is highly advantageous and the Nauticam housing for both the Panasonic S1 and the Atomos Ninja V work hand in hand to provide a particularly user friendly system.
This wiki has been updated 16 times since it was first published in January of 2017. With such an abundance of tools and accessories available, it’s easy to go overboard when accumulating fishing gear. The underwater camera, however, is one device you probably won’t regret adding to your arsenal. Just think about it this way: What could possibly help you more than the ability to see live footage of your targets? You can even take pictures of the ones that get away. When users buy our independently chosen editorial picks, we may earn commissions to help fund the Wiki. Skip to the best underwater fishing camera on Amazon.
The next most immediate specification to consider would be the frame rate that your video camera allows you to record in. Top-of-the-line video cameras record at 4K resolution and 60 frames per second (fps), giving your footage that smooth, slow-motion cinema look that everybody loves. This is a highly sought-after capability and only a select few cameras on the market (excluding high-end cinema systems) provide this feature.

Which is the best GoPro for the money?


The Canon 1DX Mark II has been a staple DSLR camera for professional video since its release in early 2016. It comes equipped with a 20MP, 35mm Full Frame Canon CMOS sensor and records 4K video at 60fps or Full HD video at 120fps. Very few full-frame cameras can record video at these high frame rates and a high bit-rate, which can then be slowed down for slow-motion video. 

What is the best DSLR camera?


The Nikon Z6 is the Nikon equivalent of the Panasonic S1 -- Nikon’s lower-megapixel version of their Z Series full frame mirrorless cameras. The Nikon Z6 offers a 24MP, full frame sensor with fewer, larger pixels than the Z7 making it a more favorable choice for video due to the low light advantages. One benefit of the Nikon Z7, as compared to the Panasonic S1, is its size. The Z7 is small and compact -- a major reason why people are turning from DSLR cameras to mirrorless cameras. The Nikon Z7 has phenomenal autofocus capabilities with 273-point hybrid phase-detection contrast autofocus technology. It tops out at 4K 30p but can natively output 10-bit 4:2:2 over HDMI in the new N-log color profile, promising greater dynamic range and flexibility in post. Beyond that, with its new firmware, it will become the first hybrid camera to offer RAW video output when coupled with the Ninja V monitor/recorder.

Can a GoPro take pictures?

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