The Panasonic Lumix GH5s has been the go-to mirrorless camera for video use over the last two years and even with the advent of newer full frame mirrorless cameras (as listed above) the GH5s still holds its own as a professional video system. There are various underwater housings available for the GH5s and with Nauticam’s newest version of the NA-GH5 you have the option of including an M28 bulkhead for use with HDMI 2.0 and the Atomos Ninja V recorder.

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Panasonic is well established brand in the video realm and their reputation definitely precedes this product. They included a fast working DFD feature that calculated the focus distance to help prevent your video from being blurry or out of focus. If you want a simple, compact camera that will render high-quality underwater video, the Panasonic Lumix LX10 is a great camera for you.
When combined with a wet macro lens (diopter), super macro photography is within reach. The tiniest details of the smallest subjects can be captured with this set up (once you get a little practice in of course). With the RX100 VI we recommend using the Bluewater +7 if you are just getting the hang of macro and super macro photography. The Nauticam Compact Macro Converters (CMC-1 & CMC-2) are top of the line wet lenses with amazing lens sharpness but have a lot of magnification and can be a little more difficult to use.
Panasonic is well established brand in the video realm and their reputation definitely precedes this product. They included a fast working DFD feature that calculated the focus distance to help prevent your video from being blurry or out of focus. If you want a simple, compact camera that will render high-quality underwater video, the Panasonic Lumix LX10 is a great camera for you.
The Canon G7X III is a tiny camera with a large 1-inch, 20 MP sensor, a direct competitor to the Sony RX100 series cameras. It is an excellent, fast-focusing camera with great image quality and has dedicated macro focus. The camera also boasts 4K video, slow motion video, a bigger image buffer, a new stacked sensor, a better image processor, and quicker burst shooting over the G7X II.

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Belonging to a previous generation of GoPro, the HERO5 Black is still a hugely impressive camera, one that can now be picked up for a reduced price with the advent of the HERO7. Like that model it shoots 4K video, albeit at a lower frame rate than the HERO6 or HERO7, and still has the useful 2in touchscreen on its rear. Full HD video can be shot at 120fps for super-slow-motion output, and it’s possible to shoot stills in Raw format, which gives you greater flexibility to tweak them in post-production. This was also the point at which GoPro HERO cameras received dual microphones, improving audio capture. If the HERO7 Black is too dear for you, this waterproof digital camera should more than satisfy your needs.
Collecting footage is one of the strongest and most effective ways to educate others on marine life. The underwater images and videos you capture will give the world a more informed and clear perspective of underwater life. Although we reside on land, we should make an effort to understand all surrounding life, and our hope is that our products will inspire people to explore and reveal the beauty and mystery that exists beneath us.
GoPro's all-new HERO8 Black is the best waterproof camera for capturing video. It's capable of recording great-quality, 4K content at up to a brisk 60 frames per second. Most importantly, in line with GoPro's action-sports credentials, the HERO8 videos feature superb image-stabilization tech. Rather impressively, the latter is even better than the one used in the device's already fantastic predecessor.

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The Blackmagic Pocket Cinema Camera is one of the most exciting cameras on the market right now for video. It provides the average videographer with high-end recording options that were previously inaccessible with a small budget. For underwater video, the Blackmagic Pocket Cinema Camera with the Nauticam BMPCCII Underwater Housing is arguably the most enticing video system on the market right now.
Another highly sought-after, and relatively exclusive, feature within the video camera realm is the ability to record in RAW or ProRes. These are uncompressed formats that maximize the information gathered by the sensor and provide you with extended flexibility when it comes to color grading and post-processing. As mentioned, this feature is quite an exclusive one and only available in a select few cameras on the market with good processors (again, excluding high-end cinema systems). Some select cameras can record in ProRes Raw with an Atomos Ninja V external recorder. Nauticam offers a housing for the Ninja V for use with your underwater system.

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