Like I mentioned, underwater housings can cost more than the camera itself so choosing the right one is an extremely important decision. They do more than just keeping your camera dry. They also protect it from pressure, allow you to use the camera controls, enable the use of different lens ports and hold accessories like lighting. Be sure to invest wisely on this one!

What GoPro accessories do I need for Travelling?


The Sony RX100 VI is our choice for best underwater camera for macro. This camera boasts a 24-200mm lens that can produce incredible magnifcation for even the tiniest subjects. The zoom and optical quality of this new lens has the capability of producing stunning, detailed macro, and super-macro images – especially when paired with a wet lens. The quick autofocus is also a key feature of the camera. 

Which is the best GoPro?


The Sony A6500 and A6400 are Sony’s top-of-the-line cropped sensor mirrorless cameras. They feature a 24MP APS-C CMOS sensor and records UHD 4K up to 30fps. The Sony A6500 offers many of the same pro-level features characteristic of Sony’s a7 series cameras, such as 5-axis image stabilization and S-Log picture profiles. The Sony A6400 offers the capability of shooting with hybrid log gamma, and an improved color science from the A6300 and A6500. Thanks to the smaller sensor, however, both cameras come at a much lower price point than the full frame a7 series.
When combined with a wet macro lens (diopter), super macro photography is within reach. The tiniest details of the smallest subjects can be captured with this set up (once you get a little practice in of course). With the RX100 VI we recommend using the Bluewater +7 if you are just getting the hang of macro and super macro photography. The Nauticam Compact Macro Converters (CMC-1 & CMC-2) are top of the line wet lenses with amazing lens sharpness but have a lot of magnification and can be a little more difficult to use.
Prior to 1923, costly 35mm film stock was the standard for movie cameras. However, when Eastman Kodak released 16mm film stock, this lower-cost alternative sparked a new market fueled by amateur movie makers. While dismissed at release as inferior, 16mm film remained in production until the late 2000s, when digital movie cameras rose to prominence.
Another highly sought-after, and relatively exclusive, feature within the video camera realm is the ability to record in RAW or ProRes. These are uncompressed formats that maximize the information gathered by the sensor and provide you with extended flexibility when it comes to color grading and post-processing. As mentioned, this feature is quite an exclusive one and only available in a select few cameras on the market with good processors (again, excluding high-end cinema systems). Some select cameras can record in ProRes Raw with an Atomos Ninja V external recorder. Nauticam offers a housing for the Ninja V for use with your underwater system.

professional underwater camera

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