Our passion and growing interest in marine life is reflected in our desire to offer high definition underwater cameras that will help expose its wonders and educate others. For those who are just as passionate as we are, we understand the importance of finding the best quality underwater equipment at an affordable price. We have a range of customers, from professors and students at universities around the world, to research facilities, to charter boats, to television production companies, to local anglers and divers. Regardless of who you are, you should never compromise on finding the highest quality equipment from a reputable company.

Compared to the Olympus Tough TG-6, the Nikon COOLPIX can capture higher resolution images with more versatile zoom range. But the TG-6 has a brighter lens (f/2.0 versus f/2.8 in the Nikon), as well as the ability to shoot photos with higher ISO, so it's better in low-light photography. The Olympus also has higher burst-capture capabilities than the Nikon (20 versus 7 frames per second).

Is GoPro a good camera?


When coupled with the Atomos Ninja V, the Nikon Z6 will output RAW video over HDMI -- similar to what the Blackmagic Pocket Cinema Camera 4K can do internally. RAW video capture, similar to RAW photos, preserves more data than compressed formats and allows you to record more color and capture more detail in the shadows and highlights. This firmware update makes the Nikon Z6 with the Atomos Ninja v recorder one of the most competitive video kits on the market, competing with high end cinema cameras costing tens of thousands of dollars.
What makes the “Best Underwater Video Camera”? When shooting underwater video, or video in general, there are many factors to consider. To start, being able to record 4K video is now a luxury that is expected out of any respectable video camera and 4K capture is definitely something you should consider when choosing your underwater video camera. The good news is nearly every new DSLR, mirrorless or compact camera features 4K recording capabilities. Where it becomes complicated is the 4K Video Type, which basically is the way in which a camera records 4K video. There are three types of cameras when it comes to 4K recording. The most ideal camera is one that has a full pixel readout from a 35mm sensor (often shooting the initial video in 6K) that will downsample to 4K, adding additional details to the video. Intermediate 4K quality comes from cameras that use pixel binning to process their 4K video. The worst 4K quality comes from cameras that “crop” the video by using only part of the sensor to capture 4K footage. This produces the worst quality because less sensor area is being used to capture light while filming video. The Canon EOS R was a disappointment for videographers for this reason.
The Sony A7S II has been a go-to mirrorless camera for underwater video since its release in September of 2015. For the Sony loyalists looking for top-of-the-line image quality in a small and compact form, the A7S II is for you. It embodies a 12.2MP full frame CMOS sensor and can shoot true cinema 4K video at 24fps, as well as UHD 4K at 30fps and smooth slow-motion video at HD 1080p video up to 120fps. Paired with an impressive 5-axis in-camera image stabilization you can get ultra-sharp, steady footage even when shooting hand-held.

Does GoPro still make the session?


The Panasonic Lumix LX10 is arguably the best compact, point and shoot camera for underwater video on the market. It uses a whopping 20MP sensor and shoots beautiful 4K video that you could expect from a high-end mirrorless camera. The footage is sharp and detailed due to the high megapixel count for such a compact camera. The f-stop ranges offered by the built in 24-72mm (35mm equivalent) lens allow for beautiful bokeh as well.
The Sony A7 series has led the charge in full frame mirrorless cameras and the A7 III and A7R III have been some of the most popular cameras on the market since their release in April 2018. Similar to the Nikon Z6 and the Panasonic S1, the Sony A7 III has fewer, larger pixels compared to the A7R III and therefore, a more favorable for video use due to the resulting low light capabilities. The A7 III tops out at 4K 30p and records internal 4:2:2 8-bit video. You also have the ability to shoot on various picture profiles like HLG & S-Log3 Gammas, which offer less-compressed video capture and facilitate maximum color rendition and dynamic range for post-production flexibility. It also has impressive autofocus capabilities with a 693-point hybrid autofocus system.

If the DC2000 is SeaLife's serious camera, the Micro 2.0 WiFi is its fun one. With a fish-eye lens, a 200-foot depth rating, and big buttons that are easy to press, even when wearing gloves, it's a point-and-shoot for deep sea exploration. Add-on lights are available, also rated for extreme depths, to shed some light on subjects obscured by murky waters.
While the original Sony RX0 drew plenty of attention for its 1-inch sensor in a tiny body, it was somewhat hamstrung by the fact that to record 4K video it needed to be physically tethered to an external recorder. So while it was waterproof, shockproof and all that jazz, this limitation meant you couldn't record 4K video in these extreme situations. The RX0 II does away with this restriction, recording pristine 4K video internally, and also adds welcome extra features like a flip-out screen. It's the most expensive on this list, but if you need the low-light latitude a 1-inch sensor gives you, it's really an unrivalled prospect.
The rest of the camera's highlights include Wi-Fi for smartphone connectivity (via an app), GPS, a built-in eCompass, and a temperature sensor. You can embed data from the sensors in your images when you edit them, thanks to a dedicated app by Olympus. And the 3-inch LCD display means navigating through all the camera's features is easy. The screen is considerably sharper than one found in the device's predecessor.
Daniel Imperiale holds a bachelor’s degree in writing, and proudly fled his graduate program in poetry to pursue a quiet life at a remote Alaskan fishery. After returning to the contiguous states, he took up a position as an editor and photographer of the prestigious geek culture magazine “Unwinnable” before turning his attention to the field of health and wellness. In recent years, he has worked extensively in film and music production, making him something of a know-it-all when it comes to camera equipment, musical instruments, recording devices, and other audio-visual hardware. Daniel’s recent obsessions include horology (making him a pro when it comes to all things timekeeping) and Uranium mining and enrichment (which hasn’t proven useful just yet).

Which GoPro is waterproof?


So what makes a good underwater camera? In addition to image and video quality, there are several other important factors to consider, like the overall quality of the camera's optics, including zoom range and maximum aperture. The latter is crucial for low-light photography, as larger aperture typically results in better photos since it allows more light in. It also minimizes motion blur, making larger apertures perfect for action shots. (Note: The smaller the number, the larger the aperture.)

What are the best GoPro accessories?


Panasonic is the latest manufacturer to release their line of mirrorless full frame cameras. They released the Panasonic S-series in March of 2019 and swept the photo world of its feet with these impressive new mirrorless cameras. The Panasonic S1 is the S-series camera designed for video, as it incorporates fewer, larger pixels that yield impressive low-light capabilities. The Panasonic S1 incorporates a 24MP, full frame sensor with a new Leica-L lens mount. The S-series cameras bested all other full-frame mirrorless lines in many categories. The Panasonic S1 (and S1R) is the first full frame mirrorless camera to shoot 4K at 60fps -- a feature that full frame mirrorless shooters have been waiting for for years. Not only that but with the latest firmware update, the Panasonic S1 can record 4:2:2 10-bit footage internally, making it an absolute workhorse for color science and post-processing workflow.

How much is go pro?

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