What makes the “Best Underwater Video Camera”? When shooting underwater video, or video in general, there are many factors to consider. To start, being able to record 4K video is now a luxury that is expected out of any respectable video camera and 4K capture is definitely something you should consider when choosing your underwater video camera. The good news is nearly every new DSLR, mirrorless or compact camera features 4K recording capabilities. Where it becomes complicated is the 4K Video Type, which basically is the way in which a camera records 4K video. There are three types of cameras when it comes to 4K recording. The most ideal camera is one that has a full pixel readout from a 35mm sensor (often shooting the initial video in 6K) that will downsample to 4K, adding additional details to the video. Intermediate 4K quality comes from cameras that use pixel binning to process their 4K video. The worst 4K quality comes from cameras that “crop” the video by using only part of the sensor to capture 4K footage. This produces the worst quality because less sensor area is being used to capture light while filming video. The Canon EOS R was a disappointment for videographers for this reason.
The GH5s is popular for underwater video because the camera is at a great price point, the body is relatively small, there is a multitude of micro-four thirds lenses available for any lens requirements, the video bitrate is quite high, and camera supports many video features that other micro-four thirds cameras do not support. It crushes all other micro-four thirds cameras at high ISOs with respect to noise.
Collecting footage is one of the strongest and most effective ways to educate others on marine life. The underwater images and videos you capture will give the world a more informed and clear perspective of underwater life. Although we reside on land, we should make an effort to understand all surrounding life, and our hope is that our products will inspire people to explore and reveal the beauty and mystery that exists beneath us.

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Panasonic is the latest manufacturer to release their line of mirrorless full frame cameras. They released the Panasonic S-series in March of 2019 and swept the photo world of its feet with these impressive new mirrorless cameras. The Panasonic S1 is the S-series camera designed for video, as it incorporates fewer, larger pixels that yield impressive low-light capabilities. The Panasonic S1 incorporates a 24MP, full frame sensor with a new Leica-L lens mount. The S-series cameras bested all other full-frame mirrorless lines in many categories. The Panasonic S1 (and S1R) is the first full frame mirrorless camera to shoot 4K at 60fps -- a feature that full frame mirrorless shooters have been waiting for for years. Not only that but with the latest firmware update, the Panasonic S1 can record 4:2:2 10-bit footage internally, making it an absolute workhorse for color science and post-processing workflow.
Another particularly exciting camera that we are anxiously awaiting, and which should be released anytime time now, is the Sony a7S III. Due to the success of the Sony a7s II we think the a7S III will be an even more exciting release. When Panasonic announced 6K capability in the S1H, there has been some speculation that Sony may try to match this capability with the a7S III, but it’s impossible to know.
Panasonic is well established brand in the video realm and their reputation definitely precedes this product. They included a fast working DFD feature that calculated the focus distance to help prevent your video from being blurry or out of focus. If you want a simple, compact camera that will render high-quality underwater video, the Panasonic Lumix LX10 is a great camera for you.
Prior to 1923, costly 35mm film stock was the standard for movie cameras. However, when Eastman Kodak released 16mm film stock, this lower-cost alternative sparked a new market fueled by amateur movie makers. While dismissed at release as inferior, 16mm film remained in production until the late 2000s, when digital movie cameras rose to prominence.
Canon is consistently a leading manufacturer of cameras and lenses in the video realm and the 1DX MkII is their flagship camera. The color science that is characteristic of Canon systems is highly sought-after and the sharpness of their lenses is not to be understated. If you are looking for a top-of-the-line DSLR that functions not only as an amazing stills camera but also as a professional-grade video camera, the Canon 1DX MkII is for you. The downside, is that the underwater housings are somewhat larger than the other housings listed in this guide.
The Nauticam Panasonic S1/S1R housing offers an M28 bulkhead, designed to be used with the HDMI 2.0 cable with the Atomos Ninja V monitor/recorder. When shooting the Panasonic S1 with the Atomos Ninja V monitor/recorder, you will immediately be able to record 10-bit 4:2:2 HDR footage direct to Apple ProRes or Avid DNx. This is highly advantageous and the Nauticam housing for both the Panasonic S1 and the Atomos Ninja V work hand in hand to provide a particularly user friendly system.
Panasonic is the latest manufacturer to release their line of mirrorless full frame cameras. They released the Panasonic S-series in March of 2019 and swept the photo world of its feet with these impressive new mirrorless cameras. The Panasonic S1 is the S-series camera designed for video, as it incorporates fewer, larger pixels that yield impressive low-light capabilities. The Panasonic S1 incorporates a 24MP, full frame sensor with a new Leica-L lens mount. The S-series cameras bested all other full-frame mirrorless lines in many categories. The Panasonic S1 (and S1R) is the first full frame mirrorless camera to shoot 4K at 60fps -- a feature that full frame mirrorless shooters have been waiting for for years. Not only that but with the latest firmware update, the Panasonic S1 can record 4:2:2 10-bit footage internally, making it an absolute workhorse for color science and post-processing workflow.

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