The Panasonic Lumix GH5s has been the go-to mirrorless camera for video use over the last two years and even with the advent of newer full frame mirrorless cameras (as listed above) the GH5s still holds its own as a professional video system. There are various underwater housings available for the GH5s and with Nauticam’s newest version of the NA-GH5 you have the option of including an M28 bulkhead for use with HDMI 2.0 and the Atomos Ninja V recorder.
Yes, it does cost a few pounds more than your usual disposable camera, but you're getting a waterproof camera, for heaven's sake! Fujifilm says its plastic case is water-resistant to a depth of 10m, so it's likely you're going to be in trouble long before the camera is. The Fujifilm Quicksnap Marine comes loaded with 24 exposures of Fujifilm ISO 800 Superia colour negative film which you should be able to get developed at any regular high street chemist or online photo lab. Control is limited, obviously, in that there isn't any. The exposure is fixed at 1/125sec at f/10 so really you're going to need good outdoor light to get decent results, but that's true of any single-use camera.
This is the Swiss army knife of tough cameras, equipped with ring lights around its lens that function as a torch as well as a macro light, allowing you to see what you're doing underwater as well as keep your subjects illuminated. While it's not a big update over the previous WG-50, it's got a fair few nifty features that make it worth consideration. The microscope mode lets it focus at distances as close as 1mm, while the Handheld Night Snap captures several images of a low-light scene in quick succession and blends them together to create a blur-free composite image. This is all housed in a body with serious protections, able to stay submerged in 14m of water for up to 2 hours.
Prior to 1923, costly 35mm film stock was the standard for movie cameras. However, when Eastman Kodak released 16mm film stock, this lower-cost alternative sparked a new market fueled by amateur movie makers. While dismissed at release as inferior, 16mm film remained in production until the late 2000s, when digital movie cameras rose to prominence.
The Sony A7S II has been a go-to mirrorless camera for underwater video since its release in September of 2015. For the Sony loyalists looking for top-of-the-line image quality in a small and compact form, the A7S II is for you. It embodies a 12.2MP full frame CMOS sensor and can shoot true cinema 4K video at 24fps, as well as UHD 4K at 30fps and smooth slow-motion video at HD 1080p video up to 120fps. Paired with an impressive 5-axis in-camera image stabilization you can get ultra-sharp, steady footage even when shooting hand-held.
Does GoPro still make the session?
The RX100 VA introduced an increased image buffer, burst shooting up to 24fps, and customizable menus. This is excellent for photographers seeking to capture quick pelagic animals that need good burst speed and more processing power. The RX100 VA still carries all of the advantages of the RX100 V including the 315 point phase detection autofocus system and the 20 MP/1" Exmor RS BSI CMOS sensor. The main advantage of the RX100 VA over the VI is that the RX100 VA is able to shoot with both macro and wide-angle wet lenses on the same dive. This is because the lens is shorter and has less zoom capability than the RX100 VI. You also don't need to purchase additional ports/adapters for dedicated wide angle and macro set ups.
The feature-set and price point of the DJI Osmo Action make it pretty obvious from the get-go that it's an attempt to undercut the GoPro HERO7. Does it succeed? Like all things, it's complicated. The front-facing screen is a boon, the stabilisation is just as silky smooth as the HERO's, and it's wallet-friendly price is nothing to sniff at. That's not to say it's perfect; there are a few lag issues at high resolutions, the app can be unreliable, and video from the HERO is a touch flatter, which counts in professional realm when it comes to the grade. For an affordable alternative to the HERO7 Black though, the Osmo Action is a fantastic choice.
Which underwater camera is best?
The Panasonic Lumix LX10 is arguably the best compact, point and shoot camera for underwater video on the market. It uses a whopping 20MP sensor and shoots beautiful 4K video that you could expect from a high-end mirrorless camera. The footage is sharp and detailed due to the high megapixel count for such a compact camera. The f-stop ranges offered by the built in 24-72mm (35mm equivalent) lens allow for beautiful bokeh as well.
The SeaLife DC2000 is the best underwater camera from a company you've probably never heard of. It doesn't look that much different from the TG-5—it's about the same size, and the style and controls are similar too. But inside is a sensor that's four times the size, and a lens that's a little brighter. It's not necessarily a crowd-pleaser—the lack of zoom power and generally slow operation make it a niche camera. But serious divers will find it a good option, as it can go as deep as 200 feet using the included case, and is good to sixty feet without it.
The latest flagship GoPro model is our favorite action camera available right now, and it brings some brilliant new features. A key difference from its predecessor (and especially the less expensive Hero7 Black) is that there are fold-out feet, so now you have a camera mount is now built in. That's not all – you can accessorise the Hero8 Black with a new series extras called 'Mods'. We especially like the Display Mod because it adds a second monitor that is perfect for vloggers. There are plenty of other Mods too, including a Media Mod for improving the production value of your videos, and a Light Mod LED light too. These extra capabilities – and the fact it's already waterproof down to 10m without a case – make the Hero8 Black our favorite underwater action cam right now.
How long does GoPro 7 battery last?
“As the Directors of Photography for Discovery Channel’s “Deadliest Catch” we have the responsibility to bring home high quality professional images that will be viewed by tens of millions of people worldwide. This is an awesome responsibility considering the incredibly harsh environment that we work in. All of our photographic systems are challenged by salt water, freezing spray, and violent collisions with hydraulic cranes and swinging crab pots – not to mention the times that we loose our footing and fall or get washed across the deck by waves. In this crazy environment our most reliable tool has always been the SplashCam” …more>
While the original Sony RX0 drew plenty of attention for its 1-inch sensor in a tiny body, it was somewhat hamstrung by the fact that to record 4K video it needed to be physically tethered to an external recorder. So while it was waterproof, shockproof and all that jazz, this limitation meant you couldn't record 4K video in these extreme situations. The RX0 II does away with this restriction, recording pristine 4K video internally, and also adds welcome extra features like a flip-out screen. It's the most expensive on this list, but if you need the low-light latitude a 1-inch sensor gives you, it's really an unrivalled prospect.
The Sony A7 series has led the charge in full frame mirrorless cameras and the A7 III and A7R III have been some of the most popular cameras on the market since their release in April 2018. Similar to the Nikon Z6 and the Panasonic S1, the Sony A7 III has fewer, larger pixels compared to the A7R III and therefore, a more favorable for video use due to the resulting low light capabilities. The A7 III tops out at 4K 30p and records internal 4:2:2 8-bit video. You also have the ability to shoot on various picture profiles like HLG & S-Log3 Gammas, which offer less-compressed video capture and facilitate maximum color rendition and dynamic range for post-production flexibility. It also has impressive autofocus capabilities with a 693-point hybrid autofocus system.
We believe that all moments spent exploring marine life are worth capturing. This belief, along with our passion and dedication to marine life, has led us to create our high quality SplashCam underwater cameras and underwater video products. Since 1988, our goal has been to give you the opportunity to document your underwater experiences and gather invaluable HD underwater footage.