What is the best camera for underwater photography? As you may know from reading the Underwater Photography Guide, it is important to select a compact camera that offers full manual controls, the ability to shoot in RAW, HD video, and the ability to accept wide-angle and macro wet lenses. We need to look at not only the camera features, but the quality of available underwater housings.
Compared to the Olympus Tough TG-6, the Nikon COOLPIX can capture higher resolution images with more versatile zoom range. But the TG-6 has a brighter lens (f/2.0 versus f/2.8 in the Nikon), as well as the ability to shoot photos with higher ISO, so it's better in low-light photography. The Olympus also has higher burst-capture capabilities than the Nikon (20 versus 7 frames per second).

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When combined with a wet macro lens (diopter), super macro photography is within reach. The tiniest details of the smallest subjects can be captured with this set up (once you get a little practice in of course). With the RX100 VI we recommend using the Bluewater +7 if you are just getting the hang of macro and super macro photography. The Nauticam Compact Macro Converters (CMC-1 & CMC-2) are top of the line wet lenses with amazing lens sharpness but have a lot of magnification and can be a little more difficult to use.

Which GoPro is best for underwater?


You can get great wide-angle photos with the RX100 VA/VI and the UWL-09 super-wide lens,the Kraken KRL-01, or the Nauticam WWL wet wide-angle lens.  For macro with the RX100 VA/VI cameras, we recommend using the Bluewater +7 if you are just getting the hang of macro and super macro photography. The Nauticam Compact Macro Converters (CMC-1 & CMC-2) are top of the line wet lenses with amazing lens sharpness but have a lot of magnification and can be a little more difficult to use.
Lead camera analyst for the PCMag consumer electronics reviews team, Jim Fisher is a graduate of the Rensselaer Polytechnic Institute, where he concentrated on documentary video production. Jim's interest in photography really took off when he borrowed his father's Hasselblad 500C and light meter in 2007. He honed his writing skills at retailer B&H... See Full Bio

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There have been many improvements in the compact camera lines over the past few years. Larger sensors, faster focusing, and more controls have all led to a selection of cameras that work smoothly, keep size tiny and are functional with a variety of lenses and accessories to round out your underwater photography experience. Sony and Canon have both given their compact cameras one inch sensors, and greatly improved focus speeds over the cameras of a few years ago. Olympus continued to add features to their cameras while keeping both price and size down.

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The Nauticam Panasonic S1/S1R housing offers an M28 bulkhead, designed to be used with the HDMI 2.0 cable with the Atomos Ninja V monitor/recorder. When shooting the Panasonic S1 with the Atomos Ninja V monitor/recorder, you will immediately be able to record 10-bit 4:2:2 HDR footage direct to Apple ProRes or Avid DNx. This is highly advantageous and the Nauticam housing for both the Panasonic S1 and the Atomos Ninja V work hand in hand to provide a particularly user friendly system.

Ultimately, your choice in action camera should come down to performance and ease of use. We've filmed hours of footage with many of the major contenders to determine where each device stands in the field. Some excel in all manner of extreme situations, while others can fall apart underwater or once the sun goes down. And what good is an action cam if it's not built for action?

Another particularly exciting camera that we are anxiously awaiting, and which should be released anytime time now, is the Sony a7S III. Due to the success of the Sony a7s II we think the a7S III will be an even more exciting release. When Panasonic announced 6K capability in the S1H, there has been some speculation that Sony may try to match this capability with the a7S III, but it’s impossible to know.
Ultimately, your choice in action camera should come down to performance and ease of use. We've filmed hours of footage with many of the major contenders to determine where each device stands in the field. Some excel in all manner of extreme situations, while others can fall apart underwater or once the sun goes down. And what good is an action cam if it's not built for action?
The Nikon Z6 is the Nikon equivalent of the Panasonic S1 -- Nikon’s lower-megapixel version of their Z Series full frame mirrorless cameras. The Nikon Z6 offers a 24MP, full frame sensor with fewer, larger pixels than the Z7 making it a more favorable choice for video due to the low light advantages. One benefit of the Nikon Z7, as compared to the Panasonic S1, is its size. The Z7 is small and compact -- a major reason why people are turning from DSLR cameras to mirrorless cameras. The Nikon Z7 has phenomenal autofocus capabilities with 273-point hybrid phase-detection contrast autofocus technology. It tops out at 4K 30p but can natively output 10-bit 4:2:2 over HDMI in the new N-log color profile, promising greater dynamic range and flexibility in post. Beyond that, with its new firmware, it will become the first hybrid camera to offer RAW video output when coupled with the Ninja V monitor/recorder.
Before you start digging into the reviews, a few notes on choosing a cam that's right for you. You'll definitely want to consider frame rate, expressed as frames per second (fps). Some action cameras offer up to 240fps recording, while others only go to 30fps. For standard playback, 30fps is perfectly fine. It's when you want to slow footage down in editing to create dramatic scenes that frame rate matters. Footage captured at 240fps can be slowed down and played back smoothly at one-quarter speed. You may also want to go for a cinematic look, in which case you'll want one that has a 24fps capture option, the same speed used by most Hollywood productions.

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Panasonic is well established brand in the video realm and their reputation definitely precedes this product. They included a fast working DFD feature that calculated the focus distance to help prevent your video from being blurry or out of focus. If you want a simple, compact camera that will render high-quality underwater video, the Panasonic Lumix LX10 is a great camera for you.
The Blackmagic Pocket Cinema Camera is one of the most exciting cameras on the market right now for video. It provides the average videographer with high-end recording options that were previously inaccessible with a small budget. For underwater video, the Blackmagic Pocket Cinema Camera with the Nauticam BMPCCII Underwater Housing is arguably the most enticing video system on the market right now.

How much does a GoPro cost?


Despite having a cropped sensor the A6500 and A6400 boat a highly reliable focusing system made up of 425 phase detection points. Not only that but they are two of the lightest and most compact cameras on the list despite having a fairly competitive sensor pixel count. If you are an aspiring or professional video shooter, the Sony A6500 and A6400 prove to be a great option for underwater video.
You may already own a waterproof camera. The latest top-end iPhones and Android phones are IP rated for submersion for short amounts of time. And the rise of quality smartphones has gone a long way in reducing the number of dedicated point-and-shoots on the market. But even if you're just taking a quick dip and want to snap a selfie, there are reasons not to take your expensive phone into the water.

Like I mentioned, underwater housings can cost more than the camera itself so choosing the right one is an extremely important decision. They do more than just keeping your camera dry. They also protect it from pressure, allow you to use the camera controls, enable the use of different lens ports and hold accessories like lighting. Be sure to invest wisely on this one!
The Sony RX100 VA, VI & VII cameras are the latest additions to the Sony RX100 series and are packed with lots of awesome features for underwater photography. They are the top of line compact cameras to date. Autofocus is lightning quick in both cameras, which is very beneficial for underwater application. Both feature a large 1" sensor with 20 MP resolution, which provides excellent image quality, fast autofocus, useful video modes (like slow motion) and full manual controls. The RX100 VI's key upgrade is its enhanced zoom using a 24-200 mm f/2.8 – 4.5 lens. The RX100 VA's key upgrade is 24fps sequential shooting, enhanced image buffer, and a customizable menu system. The RX100 VII has some minor improvments over the VI.

Which GoPro is the best?

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