When combined with a wet macro lens (diopter), super macro photography is within reach. The tiniest details of the smallest subjects can be captured with this set up (once you get a little practice in of course). With the RX100 VI we recommend using the Bluewater +7 if you are just getting the hang of macro and super macro photography. The Nauticam Compact Macro Converters (CMC-1 & CMC-2) are top of the line wet lenses with amazing lens sharpness but have a lot of magnification and can be a little more difficult to use.
Another highly sought-after, and relatively exclusive, feature within the video camera realm is the ability to record in RAW or ProRes. These are uncompressed formats that maximize the information gathered by the sensor and provide you with extended flexibility when it comes to color grading and post-processing. As mentioned, this feature is quite an exclusive one and only available in a select few cameras on the market with good processors (again, excluding high-end cinema systems). Some select cameras can record in ProRes Raw with an Atomos Ninja V external recorder. Nauticam offers a housing for the Ninja V for use with your underwater system.
What makes the “Best Underwater Video Camera”? When shooting underwater video, or video in general, there are many factors to consider. To start, being able to record 4K video is now a luxury that is expected out of any respectable video camera and 4K capture is definitely something you should consider when choosing your underwater video camera. The good news is nearly every new DSLR, mirrorless or compact camera features 4K recording capabilities. Where it becomes complicated is the 4K Video Type, which basically is the way in which a camera records 4K video. There are three types of cameras when it comes to 4K recording. The most ideal camera is one that has a full pixel readout from a 35mm sensor (often shooting the initial video in 6K) that will downsample to 4K, adding additional details to the video. Intermediate 4K quality comes from cameras that use pixel binning to process their 4K video. The worst 4K quality comes from cameras that “crop” the video by using only part of the sensor to capture 4K footage. This produces the worst quality because less sensor area is being used to capture light while filming video. The Canon EOS R was a disappointment for videographers for this reason.
When combined with a wet macro lens (diopter), super macro photography is within reach. The tiniest details of the smallest subjects can be captured with this set up (once you get a little practice in of course). With the RX100 VI we recommend using the Bluewater +7 if you are just getting the hang of macro and super macro photography. The Nauticam Compact Macro Converters (CMC-1 & CMC-2) are top of the line wet lenses with amazing lens sharpness but have a lot of magnification and can be a little more difficult to use.
Housings are a topic that deserves a detailed post of their own and you’ll see one here on The Adventure Junkies in the future. But, until then let me briefly talk about choosing an underwater housing. Also, you can read Basics of Underwater Photography: Choosing Cameras & Housings which goes into more detail about housings as well as ports, lenses and accessories.

How do you use a GoPro hero?


The Sony RX100 VA, VI & VII cameras are the latest additions to the Sony RX100 series and are packed with lots of awesome features for underwater photography. They are the top of line compact cameras to date. Autofocus is lightning quick in both cameras, which is very beneficial for underwater application. Both feature a large 1" sensor with 20 MP resolution, which provides excellent image quality, fast autofocus, useful video modes (like slow motion) and full manual controls. The RX100 VI's key upgrade is its enhanced zoom using a 24-200 mm f/2.8 – 4.5 lens. The RX100 VA's key upgrade is 24fps sequential shooting, enhanced image buffer, and a customizable menu system. The RX100 VII has some minor improvments over the VI.
Compared to the Olympus Tough TG-6, the Nikon COOLPIX can capture higher resolution images with more versatile zoom range. But the TG-6 has a brighter lens (f/2.0 versus f/2.8 in the Nikon), as well as the ability to shoot photos with higher ISO, so it's better in low-light photography. The Olympus also has higher burst-capture capabilities than the Nikon (20 versus 7 frames per second).

Is GoPro a good camera?


You can get great wide-angle photos with the RX100 VA/VI and the UWL-09 super-wide lens,the Kraken KRL-01, or the Nauticam WWL wet wide-angle lens.  For macro with the RX100 VA/VI cameras, we recommend using the Bluewater +7 if you are just getting the hang of macro and super macro photography. The Nauticam Compact Macro Converters (CMC-1 & CMC-2) are top of the line wet lenses with amazing lens sharpness but have a lot of magnification and can be a little more difficult to use.

The Blackmagic Pocket Cinema Camera 4K (BMPCC4K) is known as a disruptor camera, as it offers most of the features videographers hold in high regard at an impressively affordable price. The BMPCC4K has a Micro Four Thirds sensor, records 4K video at 60fps and even records RAW and ProRes files. This small, highly affordable cinema camera offers key features that were previously held captive by top-of-the-line, high-budget demanding cinema systems like the Canon C200, RED Digital Cinema Cameras, or the Arri Alexa Series. Recording in RAW or ProRes provides you maximum flexibility during post-processing and allows you to apply professional color correction to your footage.

The highlight of the RX100 VI over the RX100 VA is its unprecedented macro capability. The zoom on the 24-200 mm f/2.8-4.5 zoom lens cannot be beaten by other compact underwater setups. Details captured with this lens are remarkable. When combined with a wet macro lens (diopter), the realm of super macro photography is attainable. The tiniest details of the smallest subjects can be captured with this set up (once you get a little practice in of course).

Which GoPro accessories to get?


Housings are a topic that deserves a detailed post of their own and you’ll see one here on The Adventure Junkies in the future. But, until then let me briefly talk about choosing an underwater housing. Also, you can read Basics of Underwater Photography: Choosing Cameras & Housings which goes into more detail about housings as well as ports, lenses and accessories.

Are Gopros waterproof?


Another highly sought-after, and relatively exclusive, feature within the video camera realm is the ability to record in RAW or ProRes. These are uncompressed formats that maximize the information gathered by the sensor and provide you with extended flexibility when it comes to color grading and post-processing. As mentioned, this feature is quite an exclusive one and only available in a select few cameras on the market with good processors (again, excluding high-end cinema systems). Some select cameras can record in ProRes Raw with an Atomos Ninja V external recorder. Nauticam offers a housing for the Ninja V for use with your underwater system.

professional underwater camera

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