The GH5s is popular for underwater video because the camera is at a great price point, the body is relatively small, there is a multitude of micro-four thirds lenses available for any lens requirements, the video bitrate is quite high, and camera supports many video features that other micro-four thirds cameras do not support. It crushes all other micro-four thirds cameras at high ISOs with respect to noise.
The Sony A7S II has been a go-to mirrorless camera for underwater video since its release in September of 2015. For the Sony loyalists looking for top-of-the-line image quality in a small and compact form, the A7S II is for you. It embodies a 12.2MP full frame CMOS sensor and can shoot true cinema 4K video at 24fps, as well as UHD 4K at 30fps and smooth slow-motion video at HD 1080p video up to 120fps. Paired with an impressive 5-axis in-camera image stabilization you can get ultra-sharp, steady footage even when shooting hand-held.

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There are three things that make the RX100 series one of the best underwater camera. First, their 1-inch sensor size is larger than most other compact cameras besids the G7X II, giving better image quality and better low-light performance due to a larger pixel size. Second, the auto-focus speed is faster than traditional compact cameras. Last, but not least, is its advanced video features, including 4K video.
The Sony RX 100 III is one of the most popular options for underwater photographers looking for the balance between image quality, price, size and ease of use. It’s a step up from the RX 100 II. This model has a better video bit-rate and adds an electric viewfinder. The RX 100 focuses faster that most other compact cameras. It’s a great option for pro photos without the weight and bulk of a dSLR camera.
Another particularly exciting camera that we are anxiously awaiting, and which should be released anytime time now, is the Sony a7S III. Due to the success of the Sony a7s II we think the a7S III will be an even more exciting release. When Panasonic announced 6K capability in the S1H, there has been some speculation that Sony may try to match this capability with the a7S III, but it’s impossible to know.
You may already own a waterproof camera. The latest top-end iPhones and Android phones are IP rated for submersion for short amounts of time. And the rise of quality smartphones has gone a long way in reducing the number of dedicated point-and-shoots on the market. But even if you're just taking a quick dip and want to snap a selfie, there are reasons not to take your expensive phone into the water.
The design of the Fujifilm FinePix XP140 is fun and kid-friendly, making it a solid choice for family holidays, but this doesn't mean it skimps on imaging tech. While it's not going to challenge something like the Olympus Tough TG-6, it's a capable little camera in its own right, able to shoot 4K video (albeit at a disappointing 15p) and equipped with an impressive 5x optical zoom lens with an equivalent focal range of 28-140mm, and all this comes at an extremely friendly sub-£200 price tag. A new scene recognition mode helps the XP140 assess for what it's photographing (which goes some of the way towards compensating for a lack of manual controls), and the controls are well laid-out and easy to use, even when in murky underwater conditions. For the price, this is a really solid buy.
Another particularly exciting camera that we are anxiously awaiting, and which should be released anytime time now, is the Sony a7S III. Due to the success of the Sony a7s II we think the a7S III will be an even more exciting release. When Panasonic announced 6K capability in the S1H, there has been some speculation that Sony may try to match this capability with the a7S III, but it’s impossible to know.
We've added a couple of models to this ranking since we last visited it, including the Marcum LX-9, which boasts some serious resolution, as well the ability to toggle between black and white and color modes, which can make finding certain fish in certain waters much easier. Its price is the only thing that kept it from breaking into the top slot. Our top pick moved up from the number four position mainly on the strength of its battery, which far outlasts most of the competition.
The Sony RX100 VI is our choice for best underwater camera for macro. This camera boasts a 24-200mm lens that can produce incredible magnifcation for even the tiniest subjects. The zoom and optical quality of this new lens has the capability of producing stunning, detailed macro, and super-macro images – especially when paired with a wet lens. The quick autofocus is also a key feature of the camera. 

When coupled with the Atomos Ninja V, the Nikon Z6 will output RAW video over HDMI -- similar to what the Blackmagic Pocket Cinema Camera 4K can do internally. RAW video capture, similar to RAW photos, preserves more data than compressed formats and allows you to record more color and capture more detail in the shadows and highlights. This firmware update makes the Nikon Z6 with the Atomos Ninja v recorder one of the most competitive video kits on the market, competing with high end cinema cameras costing tens of thousands of dollars.

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The highlight of the RX100 VI over the RX100 VA is its unprecedented macro capability. The zoom on the 24-200 mm f/2.8-4.5 zoom lens cannot be beaten by other compact underwater setups. Details captured with this lens are remarkable. When combined with a wet macro lens (diopter), the realm of super macro photography is attainable. The tiniest details of the smallest subjects can be captured with this set up (once you get a little practice in of course).
The Blackmagic Pocket Cinema Camera 4K (BMPCC4K) is known as a disruptor camera, as it offers most of the features videographers hold in high regard at an impressively affordable price. The BMPCC4K has a Micro Four Thirds sensor, records 4K video at 60fps and even records RAW and ProRes files. This small, highly affordable cinema camera offers key features that were previously held captive by top-of-the-line, high-budget demanding cinema systems like the Canon C200, RED Digital Cinema Cameras, or the Arri Alexa Series. Recording in RAW or ProRes provides you maximum flexibility during post-processing and allows you to apply professional color correction to your footage.

There are some cameras that were made specifically for being used underwater for example the SeaLife DC1400. But, just from reading the mixed bag of customer reviews on Amazon, it’s clear that it’s not the best underwater camera for scuba diving. The buttons stick, the flash doesn’t work, the shutter delay is insanely slow… just a few of the problems you can run into.


If the DC2000 is SeaLife's serious camera, the Micro 2.0 WiFi is its fun one. With a fish-eye lens, a 200-foot depth rating, and big buttons that are easy to press, even when wearing gloves, it's a point-and-shoot for deep sea exploration. Add-on lights are available, also rated for extreme depths, to shed some light on subjects obscured by murky waters.
The Canon 1DX Mark II has been a staple DSLR camera for professional video since its release in early 2016. It comes equipped with a 20MP, 35mm Full Frame Canon CMOS sensor and records 4K video at 60fps or Full HD video at 120fps. Very few full-frame cameras can record video at these high frame rates and a high bit-rate, which can then be slowed down for slow-motion video.

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The TG-6 can capture excellent 12 MP stills in up to a whopping 20 frames per second, as well as ultra crisp 4K video via a 4-times magnification optical zoom lens with f/2.0 aperture. Microscope mode for ultra close-up shooting is also among the camera's features, as is the ability to capture panoramas and time-lapses. Advanced photographers have the option to save their images in RAW file format for more extensive edits.
Daniel Imperiale holds a bachelor’s degree in writing, and proudly fled his graduate program in poetry to pursue a quiet life at a remote Alaskan fishery. After returning to the contiguous states, he took up a position as an editor and photographer of the prestigious geek culture magazine “Unwinnable” before turning his attention to the field of health and wellness. In recent years, he has worked extensively in film and music production, making him something of a know-it-all when it comes to camera equipment, musical instruments, recording devices, and other audio-visual hardware. Daniel’s recent obsessions include horology (making him a pro when it comes to all things timekeeping) and Uranium mining and enrichment (which hasn’t proven useful just yet).

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